Somniloquies
2017
7
THE SCREEN TESTS OF COSMOTROPIA DE XAM A collection of 12 screen tests from all over the world, based on a direction sheet of Cosmotropia de Xam. Starring: Elzabeth Hart of Psychic Ills, How I Quit Crack and Aura, Carmen Incarnadine, Shivabel, Black Madeleine, Jenni Hensler, Agnes Pándy, Suzy Poling, Omebi, Sarah Toon and Owleyes, Dania Myers, ∆AIMON
Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.
Somniloquies
2017
7
Made during the height of the Vietnam War, Stan Brakhage has said of this film that he was hoping to bring some clarity to the subject of war. Characteristically for Brakhage there is no direct reference to Vietnam.
23rd Psalm Branch
1967
8
Sites Unseen is a 3 channel 16mm projection of the Jewish cemetary in Warsaw, a photograph of a great Aunt who died in Treblinka, and my late grandmother eating her morning cornflakes.
Sites Unseen
2002
0
A super 8 projection which references the essay “On the Jewish Question” by Karl Marx.
Ritual by Rote
2001
0
A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.
Rumstick Road
2014
0
At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."
Speaking of Abstraction: A Universal Language
1999
0
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
Joseph Cornell: Worlds in a Box
1991
0
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
Clouds
1969
0
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.
Частные хроники. Монолог
1999
0
Taking its title from the poem by Wallace Stevens, the film is composed of a series of attempts at looking and being looked at. Beginning as a city state commission under the name and attitude of “Unschool”, the film became a kaleidoscope of the experiences, questions and wonders of a couple of high school students after a year of experiences with filmmaker Ana Vaz questioning what cinema can be. Here, the camera becomes an instrument of inquiry, a pencil, a song.
Thirteen Ways of Looking at a Blackbird
2021
0
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
Thot-Fal'N
1978
5
An experimental ethnographic documentary that criticizes the colonizer view of anthropology.
Congo
1972
5
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Человек с киноаппаратом
1929
7
The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to human conditions.
Xenoi
2016
8
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
Men Boxing
1891
4
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
Leonora Carrington o el sortilegio irónico
1965
10
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
60 Sekundit Üksindust Aastal Null
2011
3
Roaming through the traditional Christmas stands of live carp fish on the street of Prague.
Kapry
2015
0
Film loops with overlapping chromatic density and textures achieved with photochemical development experiments.
Develar
2016
0
Letraset typeset intervention and editing on the projection copy of the film Cuesta Abajo, by Louis J. Gasnier, 1934.
Gardel
2016
0