ファントム

Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.

Don Carlos

The production by Deutsche Oper Berlin achieves a beautiful balance between the stage drama and the music. It proves that there are still singers who can perform Verdi's melodies at the highest level and that it is also possible to bring them together into an ensemble. The production fulfills all one's expectations of the modern city of Berlin in terms of stylishness and performance.

La Nonne Sanglante

This Blu-ray is a splendid record of a creative production with terrific voices and direction, as good as the Met's videos any day. It also tends to be creepy and atmospheric, with music as good as anything Gounod wrote for his FAUST. Recommended to lovers of horror and opera!

Turandot

Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.

Giulio Cesare in Egitto

Meyerbeer: Les Huguenots

Joan Sutherland's farewell performance to the operatic stage offsets this story of the St. Bartholomew's Day massacre and the magnificence of 16th century France.

Don Giovanni

Live 2001 production from the Zurich Opera House of the classic Mozart/Da Ponte opera, with Nikolaus Harnoncourt conducting and directed for television and video by Brian Large.

Puccini: Madama Butterfly

The Lyric Opera of Chicago's 1985 production of Puccini's opera, set in the late nineteenth century in the city of Nagasaki, about a young Japanese woman who weds an American naval officer who later abandons her and the child she bore him.

Death in Venice

Gustav Von Aschenbach, a passionate composer, arrives in Venice as a result of wanderlust and there meets a young man by whose beauty he becomes obsessed.

Werther

Jules Massanet's lyrical opera is transformed into a superb film production by Petr Weigl, shot on location in Prague, with music conducted by Libor Pesek. First produced by the Vienna Opera in February 1892, "Werther" rapidly confirmed Massanet's position on the French opera scene and achieved enormous popularity outside France, notably in Italy, America and England. The tragic story tells of Werther's intense passion for Charlotte, who has married his best friend, Albert, fulfilling a pledge to her now deceased mother. But Werther's letters of love bring Charlotte to his side when he promises to take his own life.

Prodaná nevěsta

Frantisek Filip film version of the Smetana opera.

Rigoletto

This tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's beautiful daughter Gilda. The opera's original title, La maledizione (The Curse), refers to the curse placed on both the Duke and Rigoletto by a courtier whose daughter had been seduced by the Duke with Rigoletto's encouragement. The curse comes to fruition when Gilda likewise falls in love with the Duke and eventually sacrifices her life to save him from the assassins hired by her father.

Verdi La Traviata

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

Gianni Schicchi

Woody Allen's production of the Puccini comic opera at LA Opera in 2015

1984

Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's totalitarian nightmare, where "Big Brother" is always watching, and those guilty of "thoughtcrime" are condemned to face their worst fears in the infamous "Room 101". Filmed during world premiere performances of Robert Lepage's spectacular and psychologically gripping Royal Opera production and conducted by the composer, an international cast brings George Orwell's dark vision to shattering operatic life.

Maria

Maria Callas, the world's greatest opera singer, lives the last days of her life in 1970s Paris, as she confronts her identity and life.

Carmen

A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.

Madame Butterfly

Cio-Cio-San, a young Japanese geisha, seeks to fulfill her dreams through marriage to an American naval officer. Her faith in their future is shattered by his empty vows and the loss she endures touches something deep within us all.

Mefistofele

1989 recording of the San Francisco Opera production of Mefistofele: Boito's retelling of Goethe's Faust

Weber: Der Freischütz

A godforsaken village in Germany shortly after the Thirty Years’ War: The young scrivener Max loves Agathe, daughter of the head forester Kuno. But to marry her, the inexperienced marksman Max must participate in an archaic tradition and score in a shooting trial – an unfulfillable challenge for him. The dubious war veteran Kaspar knows about this. He convinces the scrivener to meet him at Wolf’s Glen at midnight to forge “free bullets” that never miss their target. Max, who does not see any other way out of his unfortunate situation, sells his soul to the devil. Not knowing about the catch behind this deal: while six of the cursed bullets will hit the desired target, the seventh lies in the devil’s hands.