Sex on the Beach

In recent years, stories of older British women hooking up with younger Gambian men have made news headlines, from one-night stands to whirlwind weddings. But what's the truth behind the stories? Seyi Rhodes investigates.

Blood of 1000 Virgins

The question of "who hunts virgins" and more will be stripped down and explored in the sexiest trailers hosted by Playboy's Nikki Leigh.

Hollow Jungle

Somewhere between Sri Lanka and the island of New Guinea, in the upper reaches of the Amazonia jungle, there is rumoured to be a lost tribe of cannibals. Assembled out of Italo cannibal mondo movies, Hollow Jungle documents their rituals, sourcing their power in narrative repetitions and analogies, before structurally locating them in the prurient pathologies of certain pseudo-ethnographies.

Ocupación S.A.

Occupation Inc. exposes European businessmen and politicians involved in the economic exploitation of Western Sahara, the last colony in Africa and one of the most militarized, violent, and censored territories in the world.

Out of Shadows

An exposé on how Hollywood and the mainstream media manipulate the multitudes by spreading propaganda throughout their content.

Arbres

One day, the tree is considered mature. In any case, it is exploitable for the industry. So, we mark it and then cut it down. With the chainsaw or the harvester, it depends. And then it becomes biomass, pallets, panels, pellets, crates, paper pulp for printing promotions. But what profit does man get from the pains he takes under the sun?

Oczy diabła

Exploring the underground world of trafficking, where children are used for prostitution and organ harvesting. Patryk Vega interviews a mother who intends on selling her unborn child to traffickers.

Hollywood's Greatest Trick

The video is accompanied by a richly detailed article that adds more depth to the documentary. If there’s any question about why Hollywood is dead set against the unionization of vfx artists, the following graphic from the article will answer the question: vfx artists comprise the biggest portion of the crew on most Hollywood blockbusters.

42nd Street Forever, Volume 5: Alamo Drafthouse Cinema

WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!

Forêts

In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.

Lilja 4 real

Lukas Moodysson's acclaimed film Lilja 4-ever, seen by 100,000's of moviegoers is based on a real life story. The film's Lily was in fact called Danguole Rasalaites and came from Lithuania to Sweden when she was 16 years old. She was stripped of her passport and held captive in an apartment in Malmö where she was forced into prostitution.

사이버 지옥: n번방을 무너뜨려라

Anonymous and exploitative, a network of online chat rooms ran rampant with sex crimes. The hunt to take down its operators required guts and tenacity.

La Tragique Histoire de Fritz l'éléphant

Tělo bez duše

Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.

Not My Life

Not My Life comprehensively depicts the cruel and dehumanizing practices of human trafficking and modern slavery on a global scale. Filmed on five continents, in a dozen countries, Not My Life takes viewers into a world where millions of children are exploited through an astonishing array of practices including forced labor, sex tourism, sexual exploitation, and child soldiering.

American Grindhouse

This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment.

Teaserama

A collection of numerous burlesque acts from the 1950s, including strippers, and cult character Betty Page introducing the acts.

Machete Maidens Unleashed!

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

Amazon: How Do They Really Do It?

The story, practices, and controversies behind the world's largest retailer.

Hollywood Uncensored

Douglas Fairbanks Jr. and Peter Fonda host an examination of the history of decency standards for movies from the early 1920s onwards.