NANA

Two girls named Nana meet on a train to Tokyo. Nana K. aims to reunite with her boyfriend and Nana O. hopes to make it big in the music business. Despite their differences, the pair hit it off and become roommates.

So Near... So Far

The young American Pablo Menéndez came to Cuba to study Music at the National School of Art. Here he formed a family and became one more Cuban. Member of the Sound Experimentation Group of ICAIC and promoter of the teaching of the electric guitar in Cuba, he is, together with his group Mezcla, one of our most original musicians.

AFI: I Heard a Voice

I Heard a Voice is the first live DVD from AFI that was released on December 12, 2006. The concert was filmed at the Long Beach Arena in Long Beach, California on Friday, September 15, 2006. Part of the Decemberunderground Tour, the crowd was the largest AFI had ever headlined with over 13,000 people in attendance. The title of this DVD is lifted from a line of poetry in the decemberunderground CD booklet. Underneath the song 37mm, it says: "The power went out. I turned on the radio. The power went out. I turned on the radio. The power went out. I turned on the radio....I heard a voice." The moth on the case is also from the decemberunderground booklet.

Ladies and Gentlemen, the Fabulous Stains

Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother's death.

Suburbia

When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.

The Akron Sound: It's Everything, and Then It's Gone

In the early 1970s, rubber was still king in Akron, Ohio. But just a few short years later, Akron's most important product was, ever so briefly, music. In the mid-1970s, a group of local bands took over an old rubber workers' hang-out in downtown Akron called The Crypt and created a mix of punk and art rock that came to be known as "the Akron Sound." And for a while, it was almost "the next big thing." Almost. It's Everything, and Then It's Gone, a Western Reserve PBS production written and directed by Phil Hoffman., takes viewers back to a time when the music really did mean everything. And for the men and women in these local bands, it was a way out of the factory.

Buenos Aires Hardcore Punk

Documentary about the Argentine punk and hardcore scene, from the early 80s to the mid-2000s. It includes interviews with various people in the environment, both musicians, producers and journalists, as well as archive material.

1991: The Year Punk Broke

David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes in Toyland, The Ramones and Gumball.

Rude Boy

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

The Filth and the Fury

Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).

Breaking Glass

Breaking Glass is the story of punk singer Kate and her meteoric rise to stardom. Starting out in the rock pubs of London, Kate, assisted by her manager Danny, becomes a huge star overnight. Once at the top the pressure is immense as Kate's band are squeezed out and she is left to cope alone in the spotlight.

Le rock alternatif (une brève période de médiatisation du punk français 1986-1989)

Glenn Fredly: The Movie

Starting from the determination and great desire to create a music concert to embrace peace in Ambon City, Glenn ultimately gave up all his income to hold the concert.

Almost Famous

In 1973, 15-year-old William Miller's unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band, Stillwater.

A Night In Havana: Dizzy Gillespie In Cuba

A documentary on Dizzy Gillespie's landmark visit to Cuba and his performance at the Fifth International Jazz Festival in Havana, Cuba. Filmed in 1985 with Arturo Sandoval and Sayyd Abdul Al Khabyyr.

The Pogues: Poguevision

Thirteen examples of The Pogues unique brand of hellraising folk, ranging from punky takes on traditional Irish songs like 'Dirty Old Town' to the Shane MacGowan penned originals which offered romanticised visions of life viewed through the bottom of a bottle.

Negro Terror

A portrait of a punk band and their role in the vibrant and eclectic underground music scene from which they were born. The idiosyncratic personalities of these three musicians demonstrates that, like all great artistic or political collectives, individuals with conflicting and confounding ideologies can be drawn together around a common cause. Championing the music, community, and politics of their beloved city of Memphis, TN, Negro Terror are far more than just another hardcore punk band with a provocative name.

Sweet and Lowdown

In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.

Punk rule O.K.

Short documentary about the beginnings of punk in Great Britain. Don Letts, Caroline Coon, Jon Savage and Viv Albertine - all themselves connected to this scene - recount their experiences and memories from that time. In addition, original recordings and short concert excerpts document the feeling, fashion and circumstances of the youth of the time.

Good Stock On The Dimension Floor: An Opera

A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.