A Season of Giants

At the turn of the sixteenth century, Michelangelo (Mark Frankel), Raphael (Andrea Prodan), and Leonardo Da Vinci (John Glover) create their masterpieces, while dealing with religious persecution, political turmoil, and the discovery of America.

The Agony and the Ecstasy

During the Italian Renaissance, Pope Julius II contracts the influential artist Michelangelo to sculpt 40 statues for his tomb. When the pope changes his mind and asks the sculptor to paint a mural in the Sistine Chapel, Michelangelo doubts his painting skills and abandons the project. Divine inspiration returns Michelangelo to the mural, but his artistic vision clashes with the pope's demanding personality and threatens the success of the historic painting.

The Inventor

The insatiably curious and headstrong inventor Leonardo da Vinci leaves Italy to join the French court, where he can experiment freely, inventing flying contraptions, incredible machines, and study the human body. There, joined in his adventure by the audacious princess Marguerite, Leonardo will uncover the answer to the ultimate question – "What is the meaning of it all?"

Lucrèce Borgia

French silent film pioneer Abel Gance directs this 1935 classic about Lucrezia Borgia, her brother, Cesare. and her father, Pope Alexander VI -- one of history's most ruthless and ambitious crime families.

Prince of Foxes

In 1500, Duke Cesare Borgia hopes to marry his sister to the heir apparent of Ferrara, which impedes his conquest of central Italy. On this delicate mission he sends Andrea Orsini, his sister's lover and nearly as unscrupulous as himself. En route, Orsini meets Camilla Verano, wife of the count of Citta' del Monte, and sentiment threatens to turn him against his deadly master, whom no one betrays twice...

Bride of Vengeance

The tiny independent duchy of Ferrara is located between Casare Borgia's Rome and Venice, and Borgia has plans to conquer Venice via Ferrara. He murders his sister's husband and makes it appear that Alfonso D'Este of Ferrara was behind the killing. To avenge herself against Ferrara and D'Este, Lucretia Borgia marries D'Este and intends to poison him. But...she falls in love with him.

Una vita scellerata

The story of Benvenuto Cellinin (1500-1571), a soldier and one of the most important craftsmen and artists of Renaissance Italy whose life was marked by many achievements and adventures, but also crimes. There is also the mini-series version consisted of three 90 minutes episodes, broadcasted by RaiDue.

L'uomo che ride

This loose adaptation of the Victor Hugo classic shifts the story to Italy and back in time, with the deformed protagonist meeting Lucrezia Borgia instead of Queen Anne. Also, Gwynplaine is renamed Angelo (Jean Sorel) with his disfigurement represented by a single broad slash across his mouth, crude yet convincing. The story (not credited to Hugo) is a swashbuckler pitting the disfigured acrobat against the henchmen of the Borgias.

The Eternal Sin

Gennaro, the son of Lucretia Borgia, lives unaware of the identity of his mother, who has married the Duke of Ferrara. After Lucretia's brother is killed by five conspirators, the fathers of Gennaro's dearest friends, Lucretia tortures the old men to death. Later, Gennaro and his companions journey to Lucretia's domain, and she sees her son for the first time. The Duke, who believes him to be her lover, poisons him, but Lucretia administers the antidote in time and saves his life. Then she schemes to poison her sons' five friends for their fathers' mistake.

Monna Vanna

Nel giorno del signore

Margherita nicknamed Fornarina is Raphael's mistress. Beatrice, a noblewoman who is also in love with the famous painter tries to get her out of the way, by having her wrongly accused of the murder of a loan shark, whom she has in reality killed herself. Fornarina is sentenced to death. Will Raphael manage to prove her innocent?

Die Tochter des Papstes – Lucrezia Borgia

The incredible story of Lucrezia Borgia (1480-1519), daughter of Pope Alexander VI (1431-1503), deliberately used politically by her powerful family and historically slandered as a poisoner and incestuous femme fatale. But who was the real Lucrezia?

Orlando

With an original staging of text and music, Orlando follows the trail of one of the greatest composers of the Renaissance: Orlando di Lasso (also known as Roland de Lassus). His life and masterful oeuvre continue to move people to this day. Although he was a European star at the time, di Lasso had to endure the indignities of his social status as a servant. This documentary explores the relationship between art and power, musically accompanied by the ensemble La Tempête.

Salvator mundi

In November 15, 2017, the painting Salvator Mundi, attributed to Italian artist Leonardo da Vinci (1452-1519), was sold for an unprecedented $450 million. An examination of the dirty secrets of the art world and the surprising story of how a work of art is capable of upsetting both personal and geopolitical interests.

Masaccio: A View of Mankind

English artist, writer, curator and teacher Sir Lawrence Gowing narrates a personal exploration of some of the great Florentine painter Masaccio's key works.

The Florentine Dagger

A playwright descended from the Borgia family becomes a murder suspect.

Leonardo da Vinci und die Flora-Büste

Acquired in July 1909 by art collector Wilhelm von Bode (1845-1929), director general of the Prussian Art Collections and founding director of the Kaiser-Friedrich-Museum, now the Bode-Museum, the Bust of Flora, Roman goddess of flowers, has been the subject of controversy for more than a century.

Palazzo Vecchio: Una storia di arte e di potere

Palazzo Vecchio: a history of art and power. Directed by Piero Messina, through a clever movement of the narration between past and present, makes a real journey into the beauty of an ancient place that still retains its undisputed charm.

Raffaello – Il giovane prodigio

The Genius of Leonardo Da Vinci

Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.