Laurel & Hardy - Die komische Liebesgeschichte von Dick und Doof

The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.

Sheila, toutes ces vies-là

The portrait of a woman who remembers. Sheila tells the story of Sheila, without concessions or evasions. Her childhood, her parents, her beginnings, the rumors, her love affairs, her marriage, her son, her successes, her farewells, her return, her mourning. The journey of an extraordinary popular icon who never stopped fighting. The courage of an artist who never gives up. "Sheila, toutes ces vies-là" is also a journey through time. 60 years of pop music, punctuated by numerous archives, personal films, timeless hits and illustrations by Marc-Antoine Coulon. But also 60 years of fashion, through a legendary wardrobe (her TV show outfits) that Sheila invites us to rediscover.

For All Humankind

Discover the story of humanity and space exploration as witnessed in the interrelated events of 1968 and 2020.

Master Casters

The Super Sucklord is a New York pop artist who makes bootleg action figures through his designer toy company, Suckadelic. He pioneered an entirely new art form and now hundreds of artists all over the world follow in his footsteps creating their own resin bootleg art toys.

Entretien politique : Histoire et mode d'emploi

Dans le vent

Short subject on how fashion is created-- not by the great couturiers, but on the street.

Homeo

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.

La Coupe De La Gloire

The French team —on home soil— was always going to be in contention for the title of World Champion. It did not disappoint its fans. France '98 was not short on drama or controversy, in equal measure and this is captured most effectively on this film. The 1998 film was shot on Super 16 mm film and includes the most complete and extensive coverage ever, with each match being filmed from more angles than any previous film.

Qu'est-ce qu'un bon impôt ?

Too high, misused, unfair... a large part of the French and Europeans criticize taxes. From tax-rascal to tax revolt, the movement of yellow vests in France has returned to the center of attention the question of consent to tax. How to explain a different resistance to taxes from one country to another without tax pressure being an explanation? Is there a "good" tax? Jean Quatremer takes us on a journey to the tax center across Europe, to meet those who pay it, those who decide it, those who study it... or those who allow to avoid it.

Making Dust

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

The Essential Church

When governments use Covid emergency act edicts to restrict the gathering and worship of the Church, three pastors facing the risk of imprisonment, unlimited fines, and their own Churches splitting apart take a courageous stand and re-open in the face of a world that has chosen to comply.

Becoming Cousteau

Adventurer, filmmaker, inventor, author, unlikely celebrity and conservationist: For over four decades, Jacques-Yves Cousteau and his explorations under the ocean became synonymous with a love of science and the natural world. As he learned to protect the environment, he brought the whole world with him, sounding alarms more than 50 years ago about the warming seas and our planet’s vulnerability. In BECOMING COUSTEAU, from National Geographic Documentary Films, two-time Academy Award®-nominated filmmaker Liz Garbus takes an inside look at Cousteau and his life, his iconic films and inventions, and the experiences that made him the 20th century’s most unique and renowned environmental voice — and the man who inspired generations to protect the Earth.

A Crack in the Mountain

Deep in the jungle of Central Vietnam, lies a magnificent underground kingdom. Hang Son Doong which translates as “mountain river cave”, is the largest cave passage in the world and a place of spectacular beauty. With more people having climbed Everest than visited Son Doong, its pristine charm has remained undisturbed for millions of years. In 2014, Son Doong’s future was thrown into doubt when plans were announced to build a cable car into the cave. With many arguing that this would destroy its delicate eco-system and the local community divided over the benefits this development would bring, the film follows those caught up in the unfolding events. Beautifully shot and scored, “A Crack In The Mountain” is a powerful exposé about how both good and bad intentions can ultimately lead to one of the world’s greatest natural wonders being trampled for money. As well as inspire those who care about our natural heritage to fight to protect it.

Кино-Правда № 21: Ленинская Кино-Правда. Кинопоэма о Ленине

Dziga Vertov-directed Soviet newsreel made to commemorate the first anniversary of the death of Vladimir Ilich Lenin (21st January 1924 - 1925) drawn from 'The Final Journey', a Pravda feuilleton written on the occasion of Lenin's funeral by the man who had introduced Vertov to cinema, Mikhail Koltsov. Contains: First anniversary of Lenin's death: 1. Assassination attempt on Lenin and Soviet Russia's progress under his leadership / 2. Lenin's illness, death and funeral / 3. The year after Lenin's death

Wege zu Kraft und Schönheit

The perfect body as an object of cult worship. Based on the mass sports and body worship movement of the 1920s, the film propagates physical training and shows in stylized documentary scenes aspects of physical hygiene, gymnastics, sports and dancing as well as scenes in which supposed sportsmen of antiquity pose naked.

1925 Studio Tour

A tour of the Metro-Goldwyn-Mayer Studio in 1925 shows the people who make the movies there, and gives viewers a glimpse at how movies are made.

Lasseter's Bones

Australia’s El Dorado was found by Lewis Harold Bell Lasseter – if we believe his claims in the late 1800s to have discovered a vast gold deposit in central Australia. This mysterious place has never again been found, and many believe it doesn’t exist. But one thing is certain: Lasseter was a larger-than-life character. Seen by some as an eccentric conman, he was ridiculed for his extravagant assertions, which he held until his tragic end. But Lasseter remains the embodiment of the Australian folk hero, who lived a life full of incredible adventures, tall tales and outrageous claims – including a possible faked death and his insistence that he designed the Sydney Harbour Bridge.

Window

The moving camera shapes the screen image with great purposefulness, using the frame of a window as fulcrum upon which to wheel about the exterior scene. The zoom lens rips, pulling depth planes apart and slapping them together, contracting and expanding in concurrence with camera movements to impart a terrific apparent-motion to the complex of the object-forms pictured on the horizontal-vertical screen, its axis steadied by the audience's sense of gravity. The camera's movements in being transferred to objects tend also to be greatly magnified (instead of the camera the adjacent building turns). About four years of studying the window-complex preceded the afternoon of actual shooting (a true instance of cinematic action-painting). The film exists as it came out of the camera barring one mechanically necessary mid-reel splice

Annabelle Serpentine Dance

In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of the flowing cloth. She moves to her right and left across an unadorned stage. Many of the prints were distributed in hand-tinted color.

Glitterbug

A collage of Derek Jarman's super 8 footage spanning over 20 years.