Il malatino

Sketch Film #4

The fourth film in the series, for which I focused on colors and shapes. It was shot on Kodachrome, all edited in camera, and processed at Dwayne’s Photo.

welcome_home.exe

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.

GOOD-BY ELVIS and USA

A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.

Impresiones en la alta atmósfera

Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope

ゴンドラ

A short movie about a guy living in his own world.

Meister Eder und sein Pumuckl

The adventures of an old-fashioned master cabinet maker in Munich and the tiny red-haired goblin Pumuckl, who becomes visible to him when he gets stuck to the pot of glue in his workshop. The tiny creature is visible to nobody else and full of mischief, and hilarity ensues as objects are seen moving around and the elderly craftsman seems to be talking to thin air.

Orogenesis

A trip towards abstraction, as an hypothesis on how mountains might have been formed.

Keyhole Conversation

Peter Larsson’s Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.

Nix

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

Hydra

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

Charon

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

Sebastian and Jonas Leaving the Party

"My last image of Jonas."—Ken Jacobs

U-Knighted

George wants to fix his friendship with Joel, he believes that playing the sequel to their favourite videogame will bring them together and help mend what seems impossible to fix.

Thine Own Self

Torn from their home by a hand in the sky, colorful entities seek freedom from a rigid binary in this short experimental animation.

69SEC

This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.

Sweet Friday

An animation mixing hand-drawn and cut-out techniques depicting the daily rituals of weekday morning that is occasionally interrupted by flights of fantasy delivered in stroboscopic flashes. Showing scenes of brushing teeth and face washing, Tanaami describes the film to be like a self-portrait on his favorite day of the week.

Newscaster/Dragon/Maggots

The surreal film Newscaster/Dragon/Maggots is a transmission of what lurks in between the channels. This is a rotoscoped piece of animation created from three randomly selected pieces of found footage. The foundation of this piece is based in mathematics, chance and montage editing measured in increments of triangular numbers. After the Formalist groundwork was laid, elements of Surrealism were employed to take the film beyond the initial framework of the metric and rhythmic editing process. The pixels were playfully manipulated and melded together into an entirely new form, backed by a noise composition set into place without regard for pacing, only duration. Music by legendary noise musician Merzbow.

humming, fast and slow

The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.

Shearing Animation

An abstract animated film inspired by the work of jazz musician Chico Hamilton.