Fajr

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

Hummingbirds: Jewelled Messengers

David Attenborough narrates this close up look at these tiny pollinators captured in flight as never before. Acrobats of the air - flying jewels - iridescent partners of countless plants: hummingbirds are amongst the most remarkable creatures on our planet.

Power to Change - Die Energierebellion

Is it possible for the entire world to switch to decentralized and renewable energy sources by 2030? In this inspiring documentary, we meet with German politicians, scientists, farmers, social workers, activists and visionaries who say yes, and who all push forward for a global change in climate by changing the local power supply sources to renewable energy. Director Carl-A. Fechner is not ready to give up on our planet just yet, and POWER TO CHANGE is a welcome antidote to the pessimism that defines our era's visions of the future.

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

Phantasia

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Tomatoes

Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes. Throughout the ever-changing scene, kisses, whispers, and caresses are shared with a casual, gentle intimacy that reflects interconnectivity and abundance. These queer and desirous exchanges constitute a portrait of collectivity wherein individuals come together as distinct parts of a whole.

beer cans under my bed

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

Feeler

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

看見台灣

Documenting Taiwan from an aerial perspective offering a glimpse of Taiwan's natural beauty as well as the effect of human activities and urbanization on our environment.

Meteoro

A mysterious rumble splits the sky and reverberates in the middle of the forest. A man delves into its depths to discover its origin and answer the questions presented by the universe.

Próxima Parada

Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.

Sous les pavés, la Terre !

Feet in Water, Head on Fire

Date palms imported and cultivated decades ago flourish in the Coachella Valley in Southern California. A cacophony of voices from across generations reflect on the shifting landscape of the region; some remember the first few acres that were planted, while others enjoy the luxuries of new golf courses. Feet in Water, Head on Fire is a sensorially vibrant 16mm experience that takes us on a journey of past, present, and future. Director Terra Long hand-processed the footage utilizing leftover dates and native plants intertwining the environment into the fabric of the film. Through complex and nuanced scenes, non-sync interviews blossom into a wonderfully gentle but memorable portrait of a community in flux.

Wall Ball

A wall and a ball.

For You

Flowers, Animals, Grass, Sky, Loved ones, Like, Follow, Comment. View the forgotten and ruined memories that have been tainted by earworms, bad comedy and the far-right pipeline. Gaze upon the endless landscape, or gaze upon the endless thirst traps.

Prometheus

“I've never seen light that looks or feels so dark; forward moving possibility united with so much cosmic terror.”—Marilyn Brakhage

Her Violet Kiss

A woman attends a party where she is observed by and finally meets a mysterious guest.

a importância

Two screens of a graveyard, one during the day and one at night. The duality of everything that exists in the universe.

Logistics

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

If it Won’t Hold Water, it Surely Won’t Hold a Goat

"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.