Peeping Tom

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

His Name Was Jason: 30 Years of Friday the 13th

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

Cannes : Palmes, scandales et tapis rouge

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.

Cinemania

This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. This is the story of their lives, their memories, their unbending habits and the films they love.

Mira corpora

The film appears like a ritual with splendids and crypteds psalms. The Great Master of Order (Marcel Mazé, new fetish actor after Aloual) seduces the young male prey with a running cinema projector which carves Murnau's Nosferatu extracts on their bodies. Metamorphosis, rituals passages, Eros and Thanotos, illusion and reality, film into the film are the themes and images in perpetual osmosis in this Stéphane Marti's opus.

La petite maison toujours dans la prairie

France, le plus beau décor de cinéma

Matrix génération

After the 1999 premiere of the first Matrix movie, it became a pop culture phenomenon. A special documentary about the Matrix saga and its prophetic aspects.

Once in a Lifetime

This documentary delves into the history behind the Wellington New Zealand based private LOTR Fan museum, run by Kathy. It plays on request at the museum.

"Alien", terreur sur grand écran

In space, no one can hear you scream! the catchy slogan that accompanies Alien sums up the unprecedented stakes of this film that will mark the history of cinema. In 1979, for the first time on screens, a mainstream feature film will mix two distinct worlds of genre cinema: science fiction and horror. Ridley Scott forever shakes up the cinematic landscape by plunging the audience into anguish with his oppressive universe and his iconic monster. The documentary looks back at the lasting impact of this masterpiece, exploring Scott’s audacity and the genesis of his unique aesthetic. In the claustrophobic corridors of the Nostromo spaceship, the heroine, played by Sigourney Weaver, becomes the first strong female figure to redefine the conventions of the genre, far from the clichés of the time. By revisiting the film's key sequences, the documentary shows how Alien explores profound themes such as survival and dehumanization, while reflecting a scathing critique of the capitalist system.

Shortcomings

When his girlfriend leaves for New York City on a 3-month-long internship, a strongly opinionated Berkeley arthouse movie theater manager begins exploring life as a bachelor.

« E. T. », un blockbuster intime

E. T. the Extra-Terrestrial, Steven Spielberg's endearing movie released in 1982, achieved the triple feat of bringing to life one of the most iconic characters in pop culture, revolutionizing science fiction cinema and establishing itself as one of the highest-grossing family movies in the history of cinema, capable of making the whole world laugh and cry.

Outatime: Saving the DeLorean Time Machine

OUTATIME... tells the incredible comeback story of the world's most famous movie car - the DeLorean Time Machine from Back to the Future. Plagued by souvenir hunters, rats, and the elements, this cinematic icon seemed destined for the junkyard. Out of Time... chronicles the efforts of Back to the Future Co-creator / Producer Bob Gale, Universal Studios, and the trilogy's dedicated fan community as they tirelessly work together to bring the Time Machine back to life. OUTATIME is, at its core, a wonderful love story depicting the devotion of our fans to our movie trilogy as represented by what is arguably the most famous movie car of all time.

Sessão Especial

A itinerant cinema comes to Rita’s small town and she has the opportunity to go to the movies for the first time in a long time.

Memory: The Origins of Alien

The untold origin story behind Ridley Scott's Alien - rooted in Greek and Egyptian mythologies, underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. A contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.

Now Showing

Garrett uses movies to escape reality until the movie becomes his reality. In this thriller short, Garrett tries to avoid what is creeping up on him; dealing with his father's death.

Shah Rukh Khan Ki Maut

A young boy called Murad, who aspires to become like Shahrukh Khan.

Silence

A man loses his hearing and learns to appreciate life through silent films.

Bioshock

Love, through the multiverse.. (This is a fan series that is not related to the Netflix project).

Projektor

An old 35mm film projector was entirely disassembled, a mould was made of every part, a bronze copy was then created and the bronze parts were subsequently assembled. The whole process was filmed, to then be projected by the new, bronze projector. The observation that a projector projects the process of its own creation goes beyond a purely conceptual statement. This project is simultaneously an ode to craftsmanship and to how that changed radically over the course of the 20th century. The precise type of projector, the Iskra NP-21, also calls a complete history to mind, as Iskra was as omnipresent in Tito’s post-war Yugoslavia as Bosch and Miele in the West. In this manner, what is perhaps the very last, ultimate 35mm projector simultaneously becomes the first fully-fledged monument to a culturally supremely important device.