낮은 목소리 3 - 숨결

"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

낮은 목소리 - 아시아에서 여성으로 산다는 것

Every Wednesday at noon, women who were kidnapped for sexual purpose by the Japanese army during its imperialism and their supporters demonstrate against Japanese government to request official apology and indemnity for their crimes. This documentary portrays sexually abused old women's suppressed story of overcoming of their shame and forced silence.

북간도의 십자가

The Christians of North Gando lose their country and leave their hometown, but gain the Gospel. The cross they hold in their hands is the symbol of daring for independence and a royal summon of the generation they have to endure. Historian Sim Yo Han retraces the footsteps of the late Father Moon Dong Hwan and finds meanings of the anti-Japanese independence movement hidden in various parts of North Gando.

二十二

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

우리를 갈라놓는 것들

Things That Do Us Part is a documentary that reframes the stories of three women fighters who dove into a tragic war in modern Korean history, using witness statements and reenactments.

낮은 목소리 2

The story of the women at the "House of Sharing" continues. Old women who share a common bond lead a peaceful life in the countryside, raising vegetables, chickens and painting pictures. They are no different from the elderly women we see every day. But they are all scarred by pain and sorrow from their collective history of being comfort women during World War 2. They became subject to prejudice in their own homeland after their return to Korea. It is painful for them to watch other peoples' children and grandchildren, and they feel rage when the Japanese government tries to cover up the unspeakable crimes they committed against them. The film asks us to remember what these women sacrificed and the shame and misery they faced even as these individuals pass away often forgotten by their own people.

The Apology

"The Apology" explores the lives of former "comfort women," the more than 200,000 girls forced into sexual slavery during World War II. Today, they fight for reconciliation and justice as they struggle to make peace with the past.

조선인 여공의 노래

During the Japanese colonial period, 22 Korean female workers were forced to work in a spinning mill in Osaka across the sea to support their families. Despite facing discrimination and violence, their testimonies and life-affirming songs of victory have endured.

김복동

In 1992, KIM Bok-dong, reported herself as a victim of the sexual slavery, "comfort women" during World War Ⅱ. She wanted to receive the proper apology from the Japan government but they denied its responsibility. In 2011, commemorating the 1000th Wednesday demonstration, Statue of Peace was installed in front of the Embassy of Japan. The fight over Japan confronts a new stage.

沈黙－立ち上がる慰安婦

The Silence narrates the struggle of fifteen "comfort women"—former sex slaves by the Imperial Japanese Army during WWII—for recognition and reparation. The "comfort women" issue has previously been treated almost exclusively within the framework of Korean nationalism. The Silence will provide insight into the ways in which nationalism and the emergence of post-war Asian nation-states have hindered the understanding of "comfort women" narratives through Zainichi Korean documentary filmmaker Soo-nam Park's point of view.

1919 유관순

A film that explores the lives of female independence activists who fought against the Japanese Occupation in the North and South of Korea.

족벌: 두 신문 이야기

The 100 years of history of the Chosun Ilbo and the Dong-A Ilbo show that wrong press can be a social weapon.

에움길

Life story of sexually harassed women by Japanese army, so called "comfort women" and the reflected story of Grandma, Ok-seon Lee in that period of time

Shusenjo: The Main Battleground of the Comfort Women Issue

A Japanese-American director digs deep into the controversial 'comfort women' issue to settle the debate on whether the women were paid prostitutes or sex slaves, and reveals the motivations and intentions of the main actors pushing to revise history in Japan.

戦場の女たち

Senso Daughters focuses on the legacy of the Japanese occupation of Papua New Guinea during the Second World War. It is a legacy that arises from rape, starvation and terror. Sekiguchi's documentary lets the residents of Papua New Guinea, especially the women, tell the story of their three years under Japanese Army rule.

우키시마호

22nd of August, 1945. Japan lost the war and they loaded an 8,000 person Joseon laborer force onto a ship called the Ukisima to take them to the Busan Port. However, the ship sunk into the water due to an unknown blast. This is the story of thousands of Joseon people who dreamed of returning to their families and how they died.

アリランのうた - オキナワからの証言

In the final hours of the Pacific War, Okinawa was the destination for Korean men conscripted as “military laborers” and Korean women taken as “comfort women.” Little is known about the number of casualties or their experiences. In 1989, Park Soonam started to track down the survivors of the Battle of Okinawa to record their testimonies. In 1990, Park visits Korea in search of former “military laborers” who had survived Okinawa and repatriated to Korea. The survivors vividly recount their experiences of their compatriots’ murder and about the “comfort women” to the Zainichi Korean female director. The film zeroes in on the murder of Korean “military laborers” and the presence of “comfort women” in Okinawa via testimonies of former Japanese soldiers.

The Women Outside

They're called bar women, hostesses, or sex workers and "western princesses." They come from poor families, struggling to earn a decent wage, only to be forced into the world's oldest profession. They're the women who work in the camptowns that surround U.S. military bases in South Korea. In 40 years, over a million women have worked in Korea's military sex industry, but their existence has never been officially acknowledged by either government. In The Women Outside, a film by J.T. Orinne Takagi and Hye Jung Park, some of these women bravely speak out about their lives for the first time. The film raises provocative questions about military policy, economic survival, and the role of women in global geopolitics

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