Imprint in Clay

“Sardar Gurcharan Singh was the father of studio pottery in India. "Daddyji" as most called him lovingly was very close to my father. I often tagged along to visit his home studio where pottery wheels were lined up under the big neem trees in his old brick house. My father wanted me to make a film on Daddyji, who was then 95. He was afraid that Daddyji's wonderful story would be left untold. He not only introduced studio pottery in India but due to his longevity, mentored many potters. So despite not knowing anything about films, I made the documentary, Imprint in Clay with a classmate of mine, which was mostly funded by my father.”

Eskimo Arts and Crafts

How Inuit peoples perform arts and crafts, on the island of Baffin Island on what is now the territory of Nanavut.

After Innocence

A moving account of the experiences of men exonerated after years, and sometimes decades, in prison following newly found DNA evidence.

Vera Klement: Blunt Edge

As her 80th birthday is approaching, Vera Klement, an oil painter in Chicago, adamantly starts yet another new figure painting: a portrait of an artist under oppression, an homage to Russian composer, Dmitri Shostakovitch.

Tradewinds

Tradewinds in an intimate portrait and examination of the life of CHamoru jazz pianist, Patrick Palomo, whose musical style has combined CHamoru lyrics with the sounds and melodies of contemporary and classic jazz music. Although his music career has spanned decades and continues to influence the Guam music scene, the film explores how his legacy has paved the way for younger artists to follow in his path. Together with rising local talents, Shannon McManus, John Glaser, and Andrew Gumataotao, they form the group, Tradewinds. Together the group produces music highly influenced in the jazz style with lyrics in the CHamoru language. Tradewinds is a film that highlights the importance of language preservation and explores the definition of indigenous art.

Школа номер 3

In the familiar surroundings of their everyday lives, they talk about things that matter to them, about experiences that move them, about first love and loss, hopes and fears. 13 adolescents from a school in Donbass which was destroyed during the war in Ukraine, and subsequently rebuilt, share themselves in front of the camera. 13 lives inhabiting an intermediary space, both emotionally and socially.

Singapore GaGa

Singapore GaGa is a 55-minute paean to the quirkiness of the Singaporean aural landscape. It reveals Singapore's past and present with a delight and humour that makes it a necessary film for all Singaporeans. We hear buskers, street vendors, school cheerleaders sing hymns to themselves and to their communities. From these vocabularies (including Arabic, Latin, Hainanese), a sense of what it might mean to be a modern Singaporean emerges. This is Singapore's first documentary to have a cinema release. With English and Chinese subtitles.

Born Into Brothels: Calcutta's Red Light Kids

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

Wege Gottes

A dual portrait of young drifters on the streets of Odessa, where every day seems the same and the future keeps getting further away.

Full Metal Village

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

夢と狂気の王国

Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.

I Am a Girl

Six girls coming of age, ready to become something extraordinary.

Die Geschichte vom weinenden Kamel

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Lepage au Soleil : À l'origine de Kanata

In the spring of 2016, for the first time in 54 years, Ariane Mnouchkine entrusts her troupe, the Théâtre du Soleil, to another director. Robert Lepage then embarks on the creation of Kanata, a work that imagines the meeting of Europeans with First Nations people in Canada over two centuries. Lepage au Soleil: The origin of Kanata shows how, the 36 comedians from 11 different countries, discover in their own stories astonishing resonance with those of the natives. How, inspired by the cosmopolitanism of comedians, Robert Lepage tries to get them to talk about their own stories through those of the natives. The documentary plunges into the heart of a theatrical creation in search of universality turned upside down by a media scandal even before its premiere.

Julia

Julia is a young transgender woman who left her home country of Lithuania. Now living in Germany, she walks the streets of Berlin, working as a prostitute to survive. This documentary revisits Julia over a ten-year period of her life.

How to Cook Your Life

A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.

The Cats of Mirikitani

Documentary about red-bereted Jimmy Mirikitani, a feisty painter working and living on the street, near the World Trade Center, when 9/11 devastates the neighborhood. A nearby film editor, Linda Hattendorf, persuades elderly Jimmy to move in with her, while seeking a permanent home for him. The young woman delves into the California-born, Japan-raised artist's unique life which developed his resilient personality, and fuel his 2 main subjects, cats and internment camps. The editor films Jimmy's remarkable journey.

Sachsenhausen - Le due facce di un campo

This documentary tells the untold story of the Sachsenhausen camp that between 1936 and 1945 was a Nazi concentration camp, and between 1945 and 1950 a Soviet special camp.

Golden Globe - Kanada Highlights

Voices from the Grave

The story of the Northern Ireland Troubles through the unflinching testimony of two men who played key roles on opposite sides of that bloody conflict. Nearly ten years ago the two paramilitary leaders told their stories on condition that they could never be revealed while they were still alive. The stories told by the Irish Republican Army's Brendan Hughes and Ulster Volunteer Force's David Ervine tell us of the motivations of the participants, the planning of campaigns of violence, the misery of a hunger strike, the tracking and killing of informers and the duplicity that ended a conflict that had lasted too long. It is also a narrative of the fate of combatants when their wars are over.