...E Continuano a mangiare Fagioli

Operation Undersea

La doble vida del faquir

La doble vida del faquir (The magicians) returns to the scene of a school in the Catalan town of Sant Julià de Vilatorta where, in 1937, in the midst of civil war, a film-maker in hiding and a group of orphaned children dressed up as sultans and explorers shot an exotic adventure film. The films protagonists relive those childhood days when they were able to switch their school smocks for oriental turbans, while reality imposed its own fancy dress ball with military uniforms and priests dressed in civilian garb.

A Story of Dogs

Merry Moisex

When Moisex declares his hatred for Christmas, Kevin sets out to change his mind by creating a short film. This documentary captures their journey of creativity, humor, and the search for holiday spirit.

Grand Prix: Challenge of the Champions

A short making of feature about the 1966 John Frankenheimer movie Grande Prix

Partition Libre - Sur Les Traces De Patrick Berhault

Riding Giants

Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.

Danger Zone: The Making of Top Gun

A comprehensive 6-part documentary on the making of "Top Gun" featuring all-new interviews with the cast and crew. Available on Disc 2 of the "Top Gun" 2-Disc Special Collector's Edition DVD.

Ready or Not: The 96 NBA Draft

A deep dive into the iconic players, stories, trades, and legacy of the iconic 1996 NBA draft, which transformed the way basketball was played and the culture of the league; interviews with former NBA players, coaches and executives.

Bad Boys

The Detroit Pistons of the late 1980s and early '90s seemed willing to do anything to win. That characteristic made them loved — and hated. It earned them the title: Bad Boys.

Cinéma, de notre temps: Shohei Imamura - Le libre penseur

Documentary about Japanese film director Shohei Imamura.

Cecilia Bartoli & Friends

Portrait of an exceptional musical talent and one of opera’s biggest stars, mezzo-soprano Cecilia Bartoli. With interviews from her illustrious friends and colleagues from the world of classical music: Daniel Barenboim, Antonio Pappano, Gustavo Dudamel and more.

Les dents de la mer: Un succès monstre

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

Uma Nova Paixão

Blue Carbon

Blue Carbon - Nature's Superpower is a documentary that uses music and science to portray perhaps the best weapon in the fight against climate change.

The Endless Summer

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

Chinese Hercules: The Bolo Yeung Story

This is the story of the bodybuilder, Martial Artist and actor who wrote his own destiny and walked his own path. A legendary tale that's never been told on-screen before.

Visconti: La verdad del melodrama

Fais le mort !

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.