The story of the successful publicity campaign that made it possible for the French film The Artist (2011) to win five Academy Awards: an intimate look at what happens when a silent, black-and-white French film astounds Hollywood.
This 1940 presentation features highlights of earlier (1928 onward) Oscar ceremonies including Shirley Temple and Walt Disney, plus acceptance speeches for films released in 1939 with recipients and presenters including Vivien Leigh, Judy Garland, Hattie McDaniel, Fay Bainter, Mickey Rooney, Thomas Mitchell, Sinclair Lewis, and more, with host Bob Hope.
Cavalcade of the Academy Awards
1940
6
Isaak Ebrahim, a passionate and a struggling Indian filmmaker produces and directs his first movie which gets officially selected to the Oscars. Once nominated, Isaak gets to know about the hurdles and the unfriendly situations that can shatter his dream of winning the Oscar.
And The ഓസ്കാര് Goes To...
2019
7
Europe, 1940. For thousands of Jews, a Japanese diplomat and his wife defy Tokyo and the Nazis, and offer visas, for life.
Visas and Virtue
1997
6
A midwestern teacher questions his sexuality after a former student makes a comment about him at the Academy Awards.
In & Out
1997
6
A movie star helps a young singer-actress find fame, even as age and alcoholism send his own career into a downward spiral.
A Star Is Born
1954
7
California Suite
1978
5
Frank Drebin is persuaded out of retirement to go undercover in a state prison. There he has to find out what top terrorist, Rocco, has planned for when he escapes. Adding to his problems, Frank's wife, Jane, is desperate for a baby.
Naked Gun 33⅓: The Final Insult
1994
6
1957. ANNA MAGNANI is in America, invited to the ceremony of awarding the Oscars, and BETTE DAVIS does not miss the opportunity to meet her and invite her to her home for tea. With the help of an interpreter the two actresses exchange compliments and Davis, who is in possession of some films they have interpreted, proposes to Magnani to look at them together. The evening, however, will take an unexpected turn ... ANNA MAGNANI and BETTE DAVIS, they really met and exchanged confidant letters for years. Their meeting is the starting point for LA GRANDE MENZOGNA, to then become a bittersweet comedy about the life of the anomalous and “difficult” artists, shot partly in color and partly in black and white, in a perfect quote from the photography of the years films '50.
La grande menzogna
2007
0
A short documentary about the works of Cassiano Branco, a modernist architect from Portugal
A Cidade de Cassiano
1991
0
Based on real events from 1983; DC Peter Finch is awarded a medal for the courage he showed in arresting a dangerous criminal. Meanwhile transvestite David Martin is released once again from prison - he's provocative and aggressive and, when he's caught again during a burglary, he shoots one of the police officers, leading to a nation wide manhunt. Innocent filmmaker Steven Waldorf is subsequently shot as a suspect by Finch, provoking a national scandal that rocks the police force.
Open Fire
1994
8
A sheltered but adventurous young woman finds trouble when she encounters a wolf.
Little Red Riding Hood
1983
6
A new government takes power with a drastically reduced majority. But the ambitious young Home Secretary has a plan to bring the legal establishment to heel and bypass Parliament altogether. Anthony Andrews says of writer and barrister John Cooper (who wrote the ITV series The Advocates): "John is writing about a world he knows intimately. It is a most original and exciting screenplay and extremely prescient in view of the current controversies surrounding the judiciary." Producer Simon Passmore Director Jim Goddard
The Law Lord
1992
0
Simon Willerton's suicide in 1990 brought to six the number of young prisoners who hanged themselves in British prisons in just over six months, prompting public debate over conditions in remand prisons like Armley where overcrowding was so severe that no new inmates could be admitted. Simon faced a burglary charge over the theft of a hot-water bottle from an unoccupied flat. Less a hardened criminal than an immature, gawky teenager who never fitted in, Simon and his tragic death inspired this teleplay.
Criminal
1994
0
Kosmologisch - Die Entstehung Des Himmels
2012
0
Kosmologisch - Vom Stein Zum Leben
2012
0
“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”
A Train Arrives at the Station
2016
5
Heidelberg - Der Film Zur Stadt
2014
10
A mockumentary about Doctor Kurz, the inventor of the BioK-2: a rejuvenating drug extracted from ñandús (rheas).
La era del ñandú
1986
6
The picture is about the anti-Hitler coalition of the USSR, England and America, which developed as a counterweight to the aggressive policy of Nazi Germany during the Second World War. The unique newsreel footage of these years, shot by operators of different warring countries, is connected with today's thoughts of the author about the fate of the post-war world, about the humanitarian losses of both sides and about gaining unstable hopes for the unity of the world in countering evil.
И ничего больше
1987
5
The Robert Mapplethorpe documentary, from 1988--one year before he died--is an excellent examination of one of the most controversial of American photographers. British documentarian Nigel Finch does an outstanding job fusing interviews with Mr. Mapplethorpe himself, with critic and author Edmund White, and with several of Mapplethorpe's subjects as well, with numerous shots of the man's work. Mapplethorpe, gay, did not hesitate to photograph what he wanted to without fear of reprisal or censorship. Indeed, a good number of his pieces were not shown in the documentary at its original airing on PBS with the comment, "Considered Unsuitable for Viewing On This Transmission." His openly sexual work can at times be more than shocking, but it is always powerful and direct; as critic Lynn Davies says in the documentary, he did not pose people but photographed them doing what they would normally do in the course of their lives.
Robert Mapplethorpe
1988
5