Trudell

A chronicle of legendary Native American poet/activist John Trudell's travels, spoken word performances and politics.

Nicht die brasilianischen Homosexuellen sind pervers, sondern die Situation in der sie leben

Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.

Lenz Elegy

A Short film by Christophe Bisson

Aoskway, sur les traces de l’orignal

The Hole In The Ground

Made at the height of 'cold war' paranoia, this drama-documentary shows the work of the UK Warning and Monitoring Organisation, who's duties included the issuing of public warnings of any nuclear missile strike and the subsequent fallout.

New Horizons

A brief visualisation of NASA’s historic spacecrafts Mariner, Pioneer, Voyager, and Dawn, exploring the solar system, culminating in the New Horizons mission.

Pākiri: The Filmmaker, the Cook & the Singer

As the name of this short film promises, a filmmaker (Merata Mita), a cook (Anne Thorp) and a singer (Moana Maniapoto) sit down for an interview at Pākiri beach. With a focus on their personal lives, these highly accomplished wahine Māori are generous in sharing what motivates and challenges them in their mahi — with friendship a recurring theme. Filmed a year after the disbanding of her group Moana and the Moahunters, Maniapoto is particularly vulnerable in her reflections. The film was made by Honours student Sam Cruickshank as part of a Film and Media Studies degree at Auckland University.

Ludzie w drodze

A portrait of a traveling circus.

Goya

Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.

Yellowtail

Yellowtail is the story of a young Native American cowboy searching for meaning as his chaotic lifestyle begins to wear on him both physically and mentally. To find his purpose the young man has to reflect on his upbringing as a native to become the spiritually connect man he was meant to be.

Men Boxing

Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.

Leonie, Skeet en de biggen

Leonie’s dream is to become a pig farmer, just like her parents. She wanders happily around the farm, helping out in any way possible. She tends to the pigs, and is present from the fertilisation of the sows to the moment the truck leaves for the slaughterhouse. The family farm teaches her about the circle of life. However, new laws on nitrogen emissions have undermined the economic viability of the farm, and bankruptcy looms. Together with her cat Skeet, Leonie watches the last pigs disappear from the farm, and she realises that her dream of becoming a pig farmer might not come true.

Covid and War

A pandemic, a warzone, and a government in denial

Asivaqtiin

This film joins a hunting-party of inhabitants of the Frobisher Bay Correctional Centre. The stalking, killing and skinning of seal and caribou are featured prominently, with explanations as to the importance of these animals to the Inuit way of life.

In a Violent Suburbs

A first person journey through a lunchtime adventure as he finds himself enthralled by a masterpiece.

Mediocre

Haida Gwaii: Restoring the Balance

The conflict over forestry operations on Lyell Island in 1985 was a major milestone in the history of the re-emergence of the Haida Nation. It was a turning point for the Haida and management of their natural resources.

Stopforbud

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

America the Beautiful

A tour of the United States. A Circarama (360 degree) film which originally opened at the Brussels World’s Fair in 1958 and was brought to Disneyland in 1960.

Newen Mapuche, la fuerza de la gente de la tierra