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Experimental Yugoslav short film.

What Was I Before

A young man experiences his last few minutes of singular consciousness while examining a wild falcon he has studied for months.

Legal Entrapment

A scheming secretary (Debbie D) uses black magic and voodoo to try to murder her lawyer boss (Dawn Murphy) so she can get her hands on the woman’s boyfriend. There are living vines, a bathtub drowning and a quicksand bog in this shot-on-video W.A.V.E. production.

Sorority Slaughter 2

Sorority girl Kim (Tina Krause), who was killed in the original film, has returned as a zombie. Now she needs the blood of three young women in order to survive. Luckily for her it's pledge night.

Zombie Nightmare

A mad scientist! Four beautiful women! A sex-starved zombie! Lethal experiments! All this and more add up to Zombie Nightmare where helpless victims die, not once, but twice! In his desperate attempt to revive his cancer ridden wife from suspended animation, a deranged scientist abducts four innocent women and subjects them to lethal experiments! Will his wife live again at the expense of the other women?

Maybe That's Enough

Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.

Harvey

A man without his own half of the body is looking for the other half in the opposite sex. As for the integrity of his body, so for the sake of emotional healing.

Pensamientos de Medianoche

In this short film, a mysterious character goes on a journey to the back of his mind on the night of his birthday.

Dreams That Money Can Buy

An attempt to bring the work of surrealist artists to a wider public. The plot is that of an average Joe who can conjure up dreams that will improve his customer's lives. This frame story serves as a link between several avant-garde sequences created by leading visual artists of their day, most of whom were emigres to the US during WWII.

Puting Paalam

A bride walks on the desert. She takes off her bridal ornaments and turns into a harlot. A multitude of people crawl on their bellies, become sick and soon die. A volcano erupts. White ashes of lahar cover the earth. The bride remembers her betrothal and repents--symbolically paving the way for the resurrection of her people. A final bridal march into a new heaven and earth takes place.

Cremaster 5

Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.

Those Who Walk Away

Max and Avery go on their first date after meeting on a social media app. Their evening takes a perilous turn when they end up at a local haunted house, the home of ‘Rotcreep’, a sinister creature that rots your body and soul with one touch.

Entrance to the Grand Burial Chamber

1 minute experimental film.

Crash!

Short film produced by the BBC about JG Ballard's Crash. “The film was a product of the most experimental, darkest phase of Ballard’s career. It was an era of psychological blowback from the sudden, shocking death of his wife in 1964, an era that had produced the cut-up ‘condensed novels’ of Atrocity plus a series of strange collages and ‘advertisers’ announcements. After Freud’s exploration within the psyche it is now the outer world of reality which must be quantified and eroticised. Later there were further literary experiments, concrete poems and ‘impressionistic’ film reviews, and an aborted multimedia theatrical play based around car crashes. After that came an actual gallery exhibition of crashed cars, replete with strippers and the drunken destruction of the ‘exhibits’ by an enraged audience.” (from: http://aaaaaaaaaaaaaaaaaaaargh.blogspot.de/2013/01/short-film-adaptation-of-jg-ballards.html)

کتاکشا

Hermitage

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.

Haven Place

When interrupted during his alone time, Daniel wanders around his house and street killing zombie clones.

Colossal

Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.

Todo Todo Teros

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

Ang Ninanais

Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”