जहां चार यार

Four dedicated housewives - Shivangi, Mansi, Neha, and Sakhina, whose lives revolve only around their husband and family, decide to escape the suffocating routine life by traveling to Goa for a few days to live life on their terms. They have no idea that their vacation will lead to a series of life-changing events.

वचन

Film from 1974 with Shashi Kapoor

Coffee with D

A celebrated journalist interviews one of the world's most dreaded terrorists, "D".

Hyderabad Nawabs 2

When six families find themselves without a home after their illegal building is razed down by municipal authorities, they decide to take revenge against the realtors who sold them their flats.

न्यूटन

A government clerk on election duty in a conflict-ridden jungle of Central India tries his best to conduct free and fair voting despite the apathy of security forces and the looming fear of guerrilla attacks by communist rebels.

Monsoon Wedding

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.

टू स्टेट्स

A man and a woman come from two very different cultural backgrounds, and decide that they won't get married until they convince their parents. As feared, differences between the families pose a hurdle.

गैंग ऑफ घोस्ट्स

A group of ghosts reside in an old house and live in harmony despite cultural differences. However, when they learn that a builder plans to demolish the building, they band together to stop him.

निरहुआ हिंदुस्तानी के बा

Sona marries Nirahua in order to inherit her father's estate. Her intent to divorce afterwards is foiled when she falls in love with him.

खानदानी शफाखाना

When Baby Bedi is entrusted with a job of running controversial sex clinic ‘Khandaani Shafakhana’, in a small town of Punjab, she faces severe backlash from all quarters. Can she find a cure for the widespread social stigma against important issues like sex education and sexual health?

श्रीमान श्रीमती

A rich and wealthy couple, Shankarlal and Parvati are appalled at the problems of the world, especially in households, so they decide to try and make things right.

Dil Pe Mat Le Yaar!!

Takes a slightly different look at various layers of life in a city like Mumbai through the eyes of Ram Saran (Manoj Bajpai), a garage mechanic who hails from a small town. The film is also about his interaction with the different layers of society that is prevalent in the city.

निरहुआ हिंदुस्तानी 4 के बा

Bhojpuri language film. Plot TBA. The fourth installment in the Nirahua Hindustani franchise.

रामजी लोंदोंवालेय

Ramji Tiwari and his sister, Parvati, had their parents pass away at an early age. Ramji is a skilled cook and is familiar with all aspects of vegetarian cooking. He arranges Parvati's marriage with the Mishra family, promises to pay a large sum of dowry, which he manages to get by promising to get married to a wealthy man's daughter.

Chandan

Pyar Ka Karz

The Story of Ravi Shankar (Mithun) and his troubled life where he has to deal with love, infidelity and death which leads him to a life of crime..will he succumb to evil or can he drag himself out in time?

कभी ख़ुशी कभी ग़म

Years after his father disowns his adopted brother for marrying a woman of lower social standing, a young man goes on a mission to reunite his family.

कमबख़्त इश्क़

Kambakkht Ishq is about a stuntman and a supermodel that don't believe in love but through a hilarious series of events they fall for each other.

मुंज्या

A young man's visit to his native village unveils a family secret and a vengeful spirit, Munjya, who wants to get married. Now the young man must fight to protect himself and his love from Munjya's clutches leading to a humorously chaotic and terrifying adventure.

नसीब अपना अपना

Bhim Singh is a domineering father and husband. He lives a fairly wealthy lifestyle with his wife, and a somewhat submissive son, Kishan. He gets Kishan to marry a simple and plain-looking woman named Chanda, much to Kishan's chagrin and reluctance. After the marriage, Kishan goes to Bombay to look for employment, and soon finds one. When he returns home to visit his "ailing" mother, his father instructs him to take Chanda with him to Bombay, as her rightful place is with Kishan. Kishan agrees to do so. Upon arrival in Bombay, Chanda is shocked to find out that Kishan is married to an attractive woman by the name of Radha. Now Chanda must decide whether to expose Kishan's dual life; to simply return to her parents' home; commit suicide. Or will Radha opt for a fourth option?