On Cukor

Widely thought of as “a woman’s director,” legendary film director George Cukor is profiled with the use of film clips and interviews with his friends and colleagues to provide a picture of the director’s unique accomplishments and to trace the arc of his career.

The Savage Peace

How, in 1945, after the end of World War II and the fall of the Nazi regime, the defeated were atrociously mistreated, especially those ethnic Germans who had lived peacefully for centuries in Germany's neighboring countries, such as Czechoslovakia and Poland. A heartbreaking story of revenge against innocent civilians, the story of acts as cruel as the Nazi occupation during the war years.

Friedkin Uncut

An introspective insight into the life and artistic journey of William Friedkin, an extraordinary and offbeat director of cult films such as The French Connection, The Exorcist, Sorcerer, Cruising, To Live and Die in L.A. and Killer Joe. For the first time Friedkin opens up, guiding the audience on a fascinating journey through the themes and the stories that have influenced his life and his artistic career.

Sam Peckinpah's West: Legacy of a Hollywood Renegade

An account of the life and work of American film director Sam Peckinpah (1925-84), a tortured artist whose genius and inner demons changed the Western genre forever.

Hans Zimmer & Friends: Diamond in the Desert

An extraordinary live performance of Hans Zimmer's most beloved and renowned movie soundtracks, including music from Dune, Gladiator, Interstellar, and The Lion King. Featuring conversations with creative collaborators Billie Eilish, Christopher Nolan, Denis Villeneuve, Finneas, Jerry Bruckheimer, Pharrell Williams, Timothée Chalamet, Zendaya, and more.

Mein liebster Feind

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

Another Day of Life

In 1975, Ryszard Kapuściński, a veteran Polish journalist, embarked on a seemingly suicidal road trip into the heart of the Angola's civil war. There, he witnessed once again the dirty reality of war and discovered a sense of helplessness previously unknown to him. Angola changed him forever: it was a reporter who left Poland, but it was a writer who returned…

I Am Alfred Hitchcock

Interviews and archival footage weave together to tell the story of the Master of Suspense, one of the most influential and studied filmmakers in the history of cinema.

Król

Brief portrait of a conformist.

Věra Plívová-Šimková

The Real End of The Cold War

On 12 March 1999 Polish Minister of Foreign Affairs, Prof. Bronisław Geremek, handed to the United States Secretary of State, Madeleine Albright, the act of Poland’s accession to NATO. In such a way, Poland became a member of NATO. The efforts made by Polish politicians and diplomats of various political stands date back to the beginning of the 90s – the collapse of the Warsaw Pact structure and the time of Lech Wałęsa’s presidency. Accession to NATO was the main objective of Polish diplomacy.

Egzamin Dojrzałości

The final oral exam in history and social studies at one of Warsaw's high schools. The film illustrates the theatre of social life in Soviet Poland where one says different things on the stage and another behind the scenes.

Cinéma Laika

In the heart of the Finnish forest, the long-closed foundry of the little town of Karkkila has come back to life thanks to director Aki Kaurismäki and his creation of the town's first cinema. The peace and calm of the little town of Karkkila, nestled deep in the Finnish forest, is interrupted by unexpected sounds. In the abandoned foundry, noisy building work is taking place. Inside the building, Aki Kaurismäki is both builder and site manager of what is soon to become the Kino Laika cinema. The creation of the cinema is the talk of the town. In the factory still in activity, in a 1960s Cadillac, in a bikers' club, in the local pub, in the woods or in Aki Kaurismäki's former editing room, people start talking about cinema again.

Hitchcock: Shadow of a Genius

This documentary is a fascinating look at the cinematic genius of Alfred Hitchcock. Briefly covering much of his early British works, the film primarily focuses on his American classics, such as "Shadow of a Doubt", "Notorious", "Rear Window", "Vertigo", "Psycho" and "The Birds". The movie also covers his television years and neatly examines the Hitchcock signature touches, from his inevitable brief cameo to his famous MacGuffin.

Victor Fleming: Master Craftsman

A documentary on the life and career of Victor Fleming, director of such iconic movies as The Wizard of Oz and Gone with the Wind.

Chambre 999

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

Simona

Ida, the grandniece of Simona Kossak, travels to the Bialowieza Forest at the Polish-Belarussian border. Sorting through the photos left by Lech Wilczek, Ida uncovers the life he had with Simona, captured in the photographs, footage and memories. A moving and powerful documentary about the life of Simona Kossak, a biologist, ecologist and activist known for her efforts to preserve the remnants of natural ecosystems in Poland and for living among the animals in the Białowieża Forest for over 30 years.

Clerk

A look at Kevin Smith's life and career from his childhood in New Jersey, to the day they cemented his footprints at the world famous TCL Chinese Theater, with a flock of famous folks testifying on Silent Bob's behalf!

High Noon on the Waterfront

An inventive remembrance of the impact of the Hollywood blacklist on two American classics, rendered as a visually mesmerizing dialogue between Carl Foreman and Elia Kazan.

Sous le soleil de Pialat

In just ten films, Maurice Pialat painfully rose to the top of the cinema, draining into his legend a mad demand for truth as much as memorable fury to achieve it. With "L'Enfance nue", his first feature film at the age of 43, the filmmaker immediately made his mark, this "art of making things authentic", according to Chabrol. But throughout an unclassifiable filmography in the form of an autobiography, from a break-up to his fatherhood in wonder, through the agony of his mother, the filmmaker does not get rid of the feeling of being misunderstood, despite international recognition.