Modern Mexico City

This Traveltalk series short brings us to the capital of Mexico, where we learn a little about the three million people living there. Their living quarters are viewed, as are various monuments found throughout the city, including a monument to George Washington. We also see the Museum of Fine Arts and the Washington Apartments. From here, we visit the bullfights.

On the Road to Monterrey

This Traveltalk series short visits three cities in Mexico. We start in the village of San Miguel de Allende, known for its churches. A monastery has been converted to a school of arts. The second stop is Queréaro, where a 5-mile-long aqueduct built hundreds of years ago is still functional. It was near this city that Emperor Maximilian was executed in 1867. Then it is on to Monterrey, the large industrial city whose nickname is the Pittsburgh of Mexico. Here are steel mills, other factories, and the largest brewery in Latin America.

Visiting Vera Cruz

This Traveltalk series short looks at the people, customs, and landmarks in Vera Cruz, the main port city of Mexico.

La Muñeca Tetona

In a photograph among journalists, writers, academics and artists was a controversial president of Mexico and the unusual guest who owes the name of this story.

Serrat y Sabina: el símbolo y el cuate

Joan Manuel Serrat fled to Mexico when Franco ordered his persecution. In Argentina and Chile, his commitment against military regimes is still remembered. Joaquín Sabina arrived later. His poetry bewitched the audience. In Argentina, he is a tango singer as much as a rocker; in Mexico, the mariachis sing their songs. The former is a symbol, a venerated figure; the latter is a “cuate,” as they say in Mexico, a buddy with whom you can always count.

Bellas de noche

What happened to those vedettes who represented the mexican cabaret’s exotic beauty in the ‘70s and ‘80s? Four decades after the end of their roles, they tell their stories with dignity.

The Renaissance of Mata Ortiz

The Emmy-winning story of how an American treasure hunter and a Mexican artist transformed a dying desert village into a home for world-class art.

A través de A(lan) Glass

The documentary shows the world of the surrealist Canadian artist Alan Glass, his work, his home, his friends, his boxes, all his universe is presented through the point of view of art critics, artists and friends.

Hasta el último trago... Corazón

Thunder Over Mexico

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.

Soleils noirs

An epic investigation into countless murders in Mexico. Presented in chapters, the film unfolds methodically through unsettling testimonials, sketching a portrait of an entire country transformed into a gigantic mass grave thanks to a climate of impunity established by both criminal gangs and state authorities.

Borderland Blues

„The Frontier“ or „La Frontera“ is the undulating landscape of the Sonora Desert in Arizona, which once was a symbol of freedom on the horizon of the American West – and also a region plagued by recurrent territorial struggles. Currently, a high steel fence stretches over several miles strictly separating the USA and Mexico into two territories. Every year, the remains of hundreds of migrants are retrieved from the area. The tense situation in Arizona’s borderland has split the locals into two groups: one demanding a more technically advanced border control system, the other requesting more humanitarian help. Accompanying various locals, NGO workers and self-proclaimed border guards from the region, filmmaker Gudrun Gruber raises the question of whether the latest border control technology will finally bring peace to the area, or rather merely increase the number of deaths.

La historia detrás del candigato

When Sergio Chamorro and Daniel Cruz declared their cat Morris an eligible candidate in the municipal elections of Mexico's state of Veracruz, they thought of it as a joke. But the cat's surging popularity on social media made them reconsider. Now a leading candidate, Morris's political opponents are urging citizens not to vote for the feline.

Common Ground

An internet personality journeys to his hometown on the border between Texas and Mexico to visit family members, only to discover that his family’s immigration story parallels that of people risking everything to immigrate to the U.S. today.

Separated

Academy Award®-winning filmmaker Errol Morris confronts one of the darkest chapters in recent American history: family separations. Based on NBC News Political and National Correspondent Jacob Soboroff’s book, Separated: Inside an American Tragedy, Morris merges bombshell interviews with government officials and artful narrative vignettes tracing one migrant family’s plight. Together they show that the cruelty at the heart of this policy was its very purpose. Against this backdrop, audiences can begin to absorb the U.S. government’s role in developing and implementing policies that have kept over 1300 children without confirmed reunifications years later, according to the Department of Homeland Security.

Carta al Ingeniero

A short documentary film about the director's relationship with his deceased grandfather.

Cine Móvil México

Documentary showing the efforts to bring cinema to marginalized communities in Mexico.

La Historia en la Mirada

The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.

Mi vida dentro

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

Los Ladrones Viejos: Las Leyendas del Artegio

Is the story of a generation of thieves who achieved their greatest victories in the sixties; their distinctive code of ethics, the various categories of delinquents inhabiting the city’s streets, their alliances with high ranking police officials that allowed them to operate, the betrayals that followed, and the price they ended up paying.