La revolución no será televisada

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Frontline: The Hugo Chavez Show

Frontline examines Venezuelan president Hugo Chávez chronicling his rise to power and offering insights into his personality, policies and his shrewd use of the media.

Swing con Son

Music documentary by director Rafael Marziano Tinoco from Venezuela

Beauty Factory

From oratory classes to operating room, Beauty Factory follows five girls for four months as they compete for the coveted Miss Venezuela crown; revealing the process that has won Venezuela more international beauty pageants than any other country.

El corazón de Caracas

Caracas has been changing since the nineteenth century this is a story that tries to explain why the Venezuelan capital is complex, chaotic and fertile. In light of these new evidences, community experiments, social awareness and organization of people, seem to be the necessary ingredients to rescue a metropolis that is not yet completely lost.

Venezuela Jungle Jam

The latest film from the Belgian climbing team, following Asgard Jamming and Vertical Sailing Greenland, Venezuela Jungle Jam features Sean Villanueva O'Driscoll, Nico Favresse, Stephane Hanssens and Jean-Louis Wertz as they attempt a new free climb on the overhanging 500m wall of Amuri Tepul in the Venezuelan Jungle.

Escuela de Nada Salva la Navidad

The first sketch show by Escuela de Nada. A christmas movie produced by EDN in which you'll see how they try to save christmas after having lived a truly shitty year.

Resolver en Venezuela

The word "resolver" in the context of seeking solutions is a word-expression widely used in Venezuela. This documentary follows the lives of several characters during one day. We see how they feel, work, talk or do such different things that show the reality (or realities) of a country so diverse and, at the same time, so unknown to the world.

¿Quién Quiere Tuki?

The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.

Sex Assistant

A young couple with disabilities seek help to enhance their sexual relationship, and make a film about it. Their journey of obstacles reveal that the hardest hurdles are not physical.

Vamos Pal Matiné

In its heyday, Changa Tuki, aka Raptor House, attracted thousands of young people to afternoon parties called "matinees", from those parties a controversial subculture grew, one that still echoes to this day. This is the story as told by its protagonists.

Mérida, Tiempo y Naufragio.

Tiempo Compartido con La Vida Bohème

Stop wasting energy following the plot. Who cares if your socks don't match? This is the mental vacation you needed. So sit down, relax and enjoy the best that a mercantile society can offer us: Fake remedies, seizure-inducing lights and the tenderness of opening your heart to a bandit. Classic songs with new faces and new songs that promise to be pool aerobics classics.

Venezuela es un Desorden

Through humor, anecdotes and their songs, mythical Venezuelan ska band Desorden Público tells their story and that of three decades of their country.

The Promise of Music

Film featuring Simón Bolivar Orquesta Sinfónica, Gustavo Dudamel and Felix Mendoza

Guaco: Semblanza

Dcumentary directed by Alberto Arvelo, which is a record for the posterity of as the first five decades of the career as the projection into the future of "La Super Banda de Venezuela". It is related from the present with interesting testimonies and electrifying performances in concert.

Sacando Sonrisas

The daily life of the volunteers of the Compañeros de Batalla foundation, dedicated to providing support and hope to the children fighting cancer at the Pediatric Specialties Hospital in Maracaibo.

Una Fabula Muy Trillada

Two decades ago, Venezuela's power trio Dermis Tatú released their only album, "La violó, la mató y la picó" ("Raped her, killed her and cut her"). The band was an offspring from the separation of Sentimiento Muerto, and was formed by Carlos "Cayayo" Troconis (voice and guitar), Héctor Castillo (bass) and Sebastián Araujo (drums). The record is still considered by many as the most influential in the Venezuelan rock scene. Twenty years later, Castillo and Araujo remember the stories behind the recording, as a group of the current generation of Venezuelan rockers, not only explain its influence and impact, but also play all the songs from the album, making them their own.

A Dangerous Assignment: Uncovering Corruption in Maduro’s Venezuela

In 2016, Venezuela introduced the CLAP program to provide essential food items during the economic crisis. However, Armando.info journalists discovered that the powdered milk included was deficient in calcium and high in sodium. Investigations revealed Alex Saab, a government contractor, was behind the overpriced imports. Journalist Roberto Deniz exposed Saab’s corruption and fled to Colombia due to threats. From there, he uncovered Saab's money laundering for Maduro and bribes to opposition members. Saab was arrested in Cape Verde and extradited to the US. Saab must choose to collaborate with US authorities or face trial, while Deniz, in exile, continues his reporting despite personal risks.

Oscar D' Leon - Live From London

After several undistinguished albums in the early 80s, D’León began a return to form with 1984’s Con Cariño. Between 1985 and 1987 D’León issued a succession of albums featuring some of his strongest material, inspired playing and assured arrangements, which justified his position as one of salsa’s true international stars. The definitive albums of this period were 1987’s Riquiti..! and La Salsa Soy Yo. In June and October 1988, D’León demonstrated his live reputation by playing three sell-out concerts at London’s Hackney Empire. The last was recorded and broadcast in 1989 as a programme in BBC television’s Rhythms Of The World world music series, then released as Oscar D’León Live, the first salsa video to be issued in the UK.