Le Dernier Métro

In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.

Vivre sa vie: film en douze tableaux

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

Jules et Jim

In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.

Hiroshima mon amour

The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.

Le beau Serge

After long absence, a man returns to his hometown only to find his best friend has become an alcoholic.

Esperanza H.

After committing a petty crime, a young man unexpectedly receives a confession of love. Brimming with curiosity, the young man embarks on a search throughout the city for signs of that love.

Le Livre d'image

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

À bout de souffle

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.

Les Cousins

Young provincial Charles arrives in Paris to stay with his cousin Paul while studying law. Paul is a decadent, bohemian pleasure-seeker who shows the meek, diligent Charles the thrills of city life. When Charles falls for Florence, one of Paul's acquaintances, relationships begin to shift.

L'Année dernière à Marienbad

In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before.

l'eau tonne à minuit

Río seco

Sanning/Lögn

Dos Chicos Frente al Mar

Two young men meet during a day at the seaside. A reflection of the concerns that give way to maturity, of the fleetingness of summer and, sometimes, of love.

Montparnasse et Levallois

A Canadian woman with two working class boyfriends writes letters to them, breaking off with one of them while professing her love for the other, but fears that she mixed up the letters.

Muriel, ou le Temps d'un retour

In the seaside town of Boulogne, no one seems to be able to cope with their past, least of all Hélène, an antique furniture saleswoman, her stepson Bernard, and her former lover Alphonse.

Het Gangstermeisje

A successful young writer is in search of his true destiny. Is it the life with his wife and typewriter in Amsterdam or the offers to go to the dreamworld of the Italian film city Cinecittà which is luring him? Trying to find this out he goes into retreat in the house of a befriended gay couple in the south of France.

Hijas de Nadie

Anna is a young woman hunted by memories of her stepfather. After the death of her stepfather, Anna goes out partying with her friends before preparing to face her past in a family reunion.

The Director's Cut

The lives of a director and a writer intertwine for the creation of a unique film that will lead them to stardom. Meanwhile, a love between them will forge as we watch the filming process and a series of curious characters.

Un día por Málaga

Emilio Pascual, a historical figure of Andalusian cinema from the early 1900s, appears in today's Malaga with the mission of bringing the first documentary filmed in Andalusia to its first screening.