The Director's Cut

The lives of a director and a writer intertwine for the creation of a unique film that will lead them to stardom. Meanwhile, a love between them will forge as we watch the filming process and a series of curious characters.

Hiroshima mon amour

The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.

Le beau Serge

After long absence, a man returns to his hometown only to find his best friend has become an alcoholic.

Bande à part

Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.

Vivre sa vie: film en douze tableaux

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

Jules et Jim

In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.

Le Dernier Métro

In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.

À bout de souffle

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.

L'Année dernière à Marienbad

In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before.

Les Cousins

Young provincial Charles arrives in Paris to stay with his cousin Paul while studying law. Paul is a decadent, bohemian pleasure-seeker who shows the meek, diligent Charles the thrills of city life. When Charles falls for Florence, one of Paul's acquaintances, relationships begin to shift.

Une femme mariée: Suite de fragments d'un film tourné en 1964

A superficial woman finds conflict choosing between her abusive husband and her vain lover.

Andalousie

Having fallen out with his girlfriend Dolorès, Juanito leaves for Mexico, where he becomes a famous matador.There he meets a Viennese singer, Fanny Miller, who falls for him so much so that she intercepts the letters Dolorès keeps on sending him. In desperation, Dolorès devotes all her time and efforts to dance and she becomes the celebrated dancer Estrellita. After a series of misunderstandings and ups and downs, the sun of Andalusia will finally reunite the two lovebirds.

Muriel, ou le Temps d'un retour

In the seaside town of Boulogne, no one seems to be able to cope with their past, least of all Hélène, an antique furniture saleswoman, her stepson Bernard, and her former lover Alphonse.

Léon Morin, prêtre

Barny, although a Marxist, is intrigued by the mysteries of religion. In confession, she teases a priest, Léon Morin, but he is a young and intelligent man and ready to discuss anything.

Gare du Nord

In a busy, noisy neighborhood, a frustrated young wife in a failing marriage is offered her freedom by her indifferent husband, but has second thoughts after meeting an intriguing stranger.

Place de l'Étoile

Éric Rohmer's short for the portmanteau film Paris vu par (Six in Paris, 1965), concerning a haberdasher and his umbrella. Convinced he has killed a man, Jean-Marc flees and spends an anxious few days waiting for the death of the stranger to be reported in the newspapers...

História de amor (últimos capítulos)

Three people get together to read the play that one of them wrote; a play that recounts the love that these three experienced in the past. But perhaps not everything is as it is written there, perhaps not everything - or almost nothing - was like that.

Río seco

Le Livre d'image

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Ben and Suzanne, a Reunion in 4 Parts

Ben Santhanaraj journeys to Sri Lanka to rekindle his relationship with Suzanne Hopper, an American NGO worker, after a long separation. But when Suzanne's boss demands she work during their vacation, their love is tested by a dilemma: desire versus duty. As Suzanne struggles with the responsibilities of her job, Ben tries everything to revive their intimacy, leading to candid conversations and chaotic twists as New Year’s Eve - and Ben’s departure - looms ahead.