The Great Electric Airplane Race

Grünes Fliegen - Reisen in der Zukunft

Tesla: Les Secrets de sa voiture électrique

Revenge of the Electric Car

A sequel to 2006's Who Killed the Electric Car?, director Chris Paine once again looks at electric vehicles. Where in the last film electric cars were dismissed as uneconomical and unreliable, and were under multiple attacks from government, the auto industry, and from energy companies who didn't want them to succeed, this film chronicles, in the light of new changes in technology, the world economy, and the auto industry itself, the race - from both major car companies like Ford and Nissan, and from new rising upstarts like Tesla - to bring a practical consumer EV to market.

China und Wir

China is pushing hard into German and European markets. Furthermore, Beijing is developing into an increasingly powerful military power. An investigative reporter team from BR, rbb, and SWR is investigating the impact this has on Germany's internal and external security.

Electric Vehicles: The Good, the Bad and the Ugly

On electric vehicles explores their environmental impact, industry challenges, and global implications, focusing on China's EV dominance and cybersecurity concerns.

So Much To Do- So little Time

The story of four young people, ShinAe Ahn who is transgender, and three others, pan-sexual, gay, and lesbian respectively, who are fed up with the oppressive and authoritarian conservative government and its influence on the country. ShinAe Ahn decides to run for the office of prime minister, with the help of her friends and supporters. She meets a lot of caring people, and also a lot of haters. The current Prime Minister is not at all tolerant of the LGBTQIA+ community and is trying his hardest to stop any party that does not follow the orders of the conservative government from running without any logical reason to do so. That creates a political divide within the country, as politicians will attack anyone who is and/or who acts differently, or who stands up for people/themselves who they personally don't like. This story however is being told after the fact, a few years after the election, when ShinAe won as prime minister.

Tertiary Sound

ASMR: A feeling that disappears because it’s too subtle to notice, leaving a trace of a soft tingling sensation behind.

How to Breathe in Kern County

As the day grinds to a halt, agricultural workers gather to street race in the quiet, contemplative night.

Locked Off

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?

Here at the Water's Edge

Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.

Chahine & Co

A “Cinéma, de notre temps” series episode directed by French film critic Jean-Louis Comolli on the Egyptian director Youssef Chahine.

Citizen Ken Loach

A “Cinéma, de notre temps” series episode directed by french filmmaker Karim Dridi, originally aired 2 July 1997.

Le Home Cinéma des frères Dardenne

A “Cinéma, de notre temps” series episode directed by french film filmmaker Jean-Pierre Limosin, originally aired sometime around 2006.

Le Cinéma de grand-père

Remarkable life story of Henri Diamant-Berger, a director and screenwriter whose devotion to cinema led him to collaborate with some of the greatest actors and filmmakers of his time.

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia - Fest der Völker

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Olympia - Fest der Schönheit

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

La Sortie de l'usine Lumière à Lyon

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

O Cinegrafista de Rondon

Record of the life and work of Luiz Thomaz Reis, a cameraman who accompanied Rondon's expeditions through the interior of Brazil since 1915. He documented, in photographs, the revolutionary movements of the 1920s, especially that of Catanduva. In the montage, iconographic material, old films and filming made at the National Museum of Cinema were used, where some of his cameras are located.