Чудотворец

The young serf Eremey Mizgir is surrendered as a soldier by his mistress for his mischievous tricks. Mizgir ends up in St. Petersburg in the guards regiment. Resourceful, quick-witted, cheerful, he easily copes with his official duties and, although he often gets punished by the sergeant-major for his pranks, he never loses heart. But then sad news came from the village: the old people’s cow had died, and Eremey’s bride Dunya was being relentlessly pursued by the clerk. The soldier felt sad. Standing on guard at the rich, diamond-studded icon of the Kazan Mother of God and thinking about how to help the elderly and the bride, Mizgir decides to take a desperate step. He breaks the glass of the icon and picks out a large gemstone from the aureole of the Mother of God. When the loss is discovered, Mizgir, without blinking an eye, announces that the Mother of God herself gave him the stone.

De molens die juichen en weenen

A hobo takes revenge to a miller who didn't give him something to eat.

Black Magic

On a South Seas island, "three white derelicts drink away memories of the past. After many adventures during which a girl enters the picture, the three are rehabilitated and everything turns out happily."

Carmen

Silent Movie

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.

Shri Krishna Janma

This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.

Four Feathers

A British army officer refuses to avenge the death of a general who was murdered years earlier. He is awarded three feathers by his officers. When his fiancée fails to defend his stance, he plucks a feather from her fan. He proves his courage by rescuing his comrades in dangerous and life-threatening situations. Later he returns each feather as proof of his redemption and courage.

Snake Oil

A wiley street vendor flees London in search of the American dream promised by his late father, but he can’t find it anywhere.

The American Venus

A lost film - Mary Gray, whose father manufactures cold cream, is engaged to sappy Horace Niles, the son of Hugo Niles, the elder Gray's most competitive rival in the cosmetics business. Chip Armstrong, a hot-shot public relations man, quits the employ of Hugo Niles and goes to work for Gray, persuading Mary to enter the Miss America contest at Atlantic City, with the intention of using her to endorse her father's cold cream should she win. Mary breaks her engagement with Horace. When it appears that she will win the contest, Hugo lures her home on the pretext that her father is ill, and she misses the contest. Chip and Mary return to Atlantic City, discovering that the new Miss America has told the world that she owes all her success to Gray's cold cream. On this note, Chip and Mary decide to get married.

Smith's Army Life

19th release in 'The Smith Family' series of 2-reel comedies.

Limite

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

Bear

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

Return to Reason: Four Films by Man Ray

An immersion into the surreal and dreamlike world of painter, photographer and filmmaker Man Ray (1890-1976), one of the most prolific American visual artists, through four of his short films, brought to life by the atmospheric music of SQÜRL.

Les Triplettes de Belleville

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

Любовь статского советника

Silent film from 1915 which draws on the story of Carmen

Die freudlose Gasse

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

The Misleading Widow

The Misleading Widow is a 1919 silent film comedy starring Billie Burke as Betty Taradine. It was based on the 1917 stage play Billeted by F. Tennyson Jesse and H.M. Harwood. The film was produced by Famous Players-Lasky and distributed through Paramount Pictures. It appears to be a lost film.

The Hope

An upper class melodrama.

The King of the Cannibal Islands

Believed to be the first film to feature cannibals.

Going Ga-Ga

Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.