Enigma (謎)

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

Magnética

In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.

Isolation

A meditation on isolation through paint textures, video collage and sound

Tempest

Abstract video art created in 1981. Music by Vibeke Sorensen and Walter Michael. Abstract video art created in 1981 at EUE Video in NYC.

Between Science and Garbage

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

Lesbian Dogwood and the Disaster Life Thereof: Part 1

A nomadic homunculus ranger lives in the derelict wastelands of Neo Kansas City 2, where they barely survive and make friends, despite the constant chaos.

kid-like-you.mp3

Experimental video art set to the track "Place I Know/Kid Like You" by Arthur Russell.

Distant Activities

Real time development of a video feedback, processed and controlled through a video keyer. Sound results from video signals, interfaced with audio synthesizer.

電子の拓本

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

FOREIGN AFFAIRS

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

Video Weavings

Video Weavings is a link between the modern (video) and the ancient (weaving) technologies. Video Weavings are based on poetic mathematical rhymes, or algorithms, visualized in real time on the warp and weft of video's horizontal and vertical scanning electron beams, color phosphors, plasma cells, and LCD pixels.

Anima

Abstract computer animation set to autoharp solo music composed and performed by Jordan Belson

Site Unseen

A collaboration between Kadet Kuhne & Alba G. Corral.

Voyage

An NTSC space opera.

Rectangle & Rectangles

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.

Luminare

Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.

The Fourth Dimension

Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.

Sculpture

Video art of sculpture is the real life story of Rumi (Mevlana) and Shams Tabrizi. Rumi and Shams are well known international poets of Persian language. One day, Rumi invites Shams Tabrizi to his house, Shams throws the book into the pool of water and Rumi is worried and Shams returns the book to Rumi without any trace of water. The lost half of the sculpture in the film is a representation of the same concept, in which the dance of Sama, the sculptor's mind and the role of the face are visible. "Sculpture" has won more than 57 International Awards, third place (semi-final) in called Flickers' Rhode Island International Film Festival (Academy Award ® Qualifying, BAFTA Qualifying, Canadian Screen Award Qualifying) , Crown Point International Film Festival(Chicago) ,Vegas Movie Awards,Global Shorts( Los Angeles),(US),Gold Star Movie Awards (US),One-Reeler Short Film Competition (US),Accolade Competition (US),Berlin International Art Film Festival and many other events.

Il malatino

Speed

SPEED is the result of an artificial intelligence transforming bin footage into something beautiful in order to free the planet from pixel pollution. By video recycling trash shots into video art using the latest algorithm technology, visual art may help to understand our limited resources on earth and how to use them in a respectful manner. Every day we produce millions of clips sharing them on social media without even noticing anymore how much pixel garbage we create. At the same time, we produce every day millions of tons of plastic waste, polluting our environment without even noticing it anymore. SPEED wants to be a symbol of change as we are running out of time.