Hand-Drawn: Documentary

An indie documentary exploring the art form of hand-drawn animation through a contemporary lens in the digital era. Featuring insights and anecdotes by hand-drawn animation artists from around the world.

Cinéma Laika

In the heart of the Finnish forest, the long-closed foundry of the little town of Karkkila has come back to life thanks to director Aki Kaurismäki and his creation of the town's first cinema. The peace and calm of the little town of Karkkila, nestled deep in the Finnish forest, is interrupted by unexpected sounds. In the abandoned foundry, noisy building work is taking place. Inside the building, Aki Kaurismäki is both builder and site manager of what is soon to become the Kino Laika cinema. The creation of the cinema is the talk of the town. In the factory still in activity, in a 1960s Cadillac, in a bikers' club, in the local pub, in the woods or in Aki Kaurismäki's former editing room, people start talking about cinema again.

Alain Delon, l'ombre au tableau

Events in a Cloud Chamber

In 1969, Akbar Padamsee, one of the pioneers of Modern Indian painting, made a visionary 16mm film called Events in a Cloud Chamber. This was one of the only Indian experimental films ever made. The print is now lost and no copies exist. Over 40 years later, filmmaker Ashim Ahluwalia worked with Padamsee, now 89 years old, to remake the film.

Nova the Film

An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.

In a Town This Size

In A Town This Size introduces an Oklahoma town and its long-suppressed tragedy of childhood sexual abuse. The abuser, a prominent and trusted former pediatrician is, through this film and for the first time, held accountable for the actions he cleverly perpetrated. Stories are told through poignant first-person interviews with his victims, their families and professionals. This film brings to viewers an unnerving familiarity with the lifelong devastation resulting from this kind of abuse. Covering events in the 1960s and 1970s and continuing into present times, these personal stories devastate, frustrate and inspire. In A Town This Size moves audiences to confront child sexual abuse as a primary social issue and presses for changes in state statutes of limitation.

Agua fuerte

Contemplates the contribution of Puerto Rican artist Cossette Zeno.

Dentro Caravaggio

Disgraced Monuments

Filmmakers Laura Mulvey and Mark Lewis use rare archival footage and interviews with artists, art historians, and museum directors to examine the fate of Soviet-era monuments during successive political regimes, from the Russian Revolution through the collapse of communism. Mulvey and Lewis highlight both the social relevance of these relics and the cyclical nature of history. Broadcast on Channel Four as part of the 'Global Image' series (1992-1994).

Jesus Christus Erlöser

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

Bloed

Elles Kiers and Sjef Meijman lived intensively with four Bunte Bentheimer pigs for seven months. During the slaughter month they had their beloved pig Bom killed and then prepared it themselves. The short documentary Blood (Dinanda Luttikhedde, 2011) follows the visual artists in the final phase of their research project into the origin of our food. A valuable ritual unfolds around the processing of this animal.

The Vampires of Wilno

Discover the truth behind the popular story the media pushed since the 1970s and the real consequences journalism had on a small Ontario town.

Where the Universe Sings: The Spiritual Journey of Lawren Harris

Admirers of Harris' paintings discuss his place in the pantheon of Canadian artists.

Thomas Schütte - Ich bin nicht allein

Eye of the Storm

The film tells the story of James Morrison’s early years, painting the tenements of Glasgow, through to his dramatic encounter with a polar bear while painting melting icebergs in North West Greenland. As the artist struggles with imposing blindness, the film follows James, as he prepares for what turned out to be his last ever public exhibition at the Scottish Gallery in Edinburgh in January 2020.

Spellbound

This documentary follows 8 teens and pre-teens as they work their way toward the finals of the Scripps Howard national spelling bee championship in Washington D.C.

Marion ou la métamorphose

Marion is an artist with FSH, an incurable muscular myopathy. She guides us on the path she has taken to no longer identify with her illness.

Italiques: Roland Topor

Roger Boussinot directed this episode of the French television show Italiques, which features an overview of the art and career of Fantastic Planet illustrator Roland Topor. It aired on August 8, 1974.

Connections: Ray Johnson On-Line

A portrait of the American artist Ray Johnson (1927-1995), based on a personal interpretation of Johnson’s avant-garde strategies, using the telephone and the internet as primary sources for sound and image.

Live this Loudly: Afatasi

Afatasi The Artist is a San Francisco based mixed-media conceptual artist and futurist. Her artwork—which includes textiles and fine art tapestry, small paintings and murals, metal work and clothing design—is a continuous exploration of the intersectionality of race, culture, gender, class, and geopolitics. “I like to create these things because there were so many who weren’t allowed to live this loudly,” Afatasi says, "and I know how much better the world would be if they had.”