Cycles

As a woman anxiously awaits her overdue period, she performs African-based rituals of purification. She cleans house and body, and calls on the spirits (Orishas in the Yoruba tradition), receiving much needed inspiration and assurance in a dream. The film combines beautifully intimate still and moving images of the woman’s body and home space, along with playful stop-motion sequences. —Jacqueline Stewart, UCLA Film and Television Archive

Fora da Vida

The portrait of a community as they face their country's economic recession.

Toute révolution est un coup de dés

A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.

The Trouble with Being Born

Elli is an android and lives with a man she calls her father. Together they drift through the summer. During the day they swim in the pool and at night he takes her to bed. She shares his memories and anything else he programs her to recall. Memories that mean everything to him but nothing to her. Yet, one night she sets off into the woods following a fading echo… The story of a machine and the ghosts we all carry within us.

I Will Make You Mine

Three women wrestle with life's difficulties while confronting their past relationships with the same man.

Lost in Translation

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

Wilbur begår selvmord

The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.

Boys Don't Cry

A young transgender man explores his gender identity and searches for love in rural Nebraska.

The Wanderers

The streets of the Bronx are owned by '60s youth gangs where the joy and pain of adolescence is lived. Philip Kaufman tells his take on the novel by Richard Price about the history of the Italian-American gang ‘The Wanderers.’

Antoine et Colette

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Back to the Beginning

After completing a 6 year conviction, Erick Montalvo gets rehabilitated into society and decides to start a family with his wife Michelle. Among many situations and economic problems, their lives become unbearable. Their child, born prematurely and with several conditions, requires a surgery costing more than $120,000. Out of desperation, Erick loses control and decides to do one last job that takes him “back to the beginning”.

Palabras, mapas, secretos y otras cosas

A portrait of the internationally acclaimed Spanish film director Isabel Coixet and an analysis of her particular world and her sensibility as a creator: her fictional universe, her career and her life through the words of actors, technicians, family, friends, journalists, specialized critics and those filmmakers who have been inspired by her work.

Sau sticht

Savannah

Savannah is the true story of Ward Allen, a romantic and bombastic character who rejects his plantation heritage for the freedom of life on a river. Ward navigates the change of early 20th century America on the wrong side of the law and society, his long-time friend, a freed slave named Christmas Moultrie, at his side. Master of Shakespeare, and the shotgun that provides Savannah's markets with fowl, Ward fights for his rights as a hunter. His charisma and eloquent rhetoric win the heart of a society woman who defies her father to marry him. An elderly Moultrie tells the story of life on the river with his friend to a little boy, who passes the legendary Ward Allen down to the next generation.

Someone I Used to Know

When three childhood friends reunite on one midsummer night, their delirious abandon and reminiscence explodes into a daring search for hope and deliverance from the burden of their dreams.

Stalin My Neighbour

Annie wants to find her cat and forget her past. She walks the streets of the East End of London, in the footsteps of Josef Stalin and Mahatma Gandhi. Annie's obsessive journey through local history triggers an unravelling of her own life.

Ausma

Based on a Soviet propaganda story about Young Pioneer (the Soviet equivalent of a Boy Scout) Morozov, who denounced his father to Stalin’s secret police and was in turn killed by his family. His life exemplified the duty of all good Soviet citizens to become informers, at any expense. In our film, 75 years later, we call him little Janis. He is a Pioneer who lives on the Soviet collective farm “Dawn”. His father is an enemy of the farm (and the Soviet system) and plots against it. Little Janis betrays his father; his father takes revenge upon his son. Who then in this old Soviet tale is good and who is bad? This film reveals that a distorted brain is always dangerous. Even today.

Alice

Alice has deeply buried feelings and memories for her sister Manon who is about to be married. During their childhood the two sisters were extremely close not only emotionally, but also sexually. With news of the wedding the pain of the past resurfaces and Alice's relationship with her girlfriend Elsa start to fall apart. As the wedding approaches Alice reminisces about her childhood, and has trouble letting go of her incestuous relationship with her sister Manon.

William & Catherine: A Royal Romance

The film is based on the story of William of Cambridge and Catherine Middleton. Shown in the same life of William of Cambridge, and Catherine Middleton met at the University of Saint Andrews, besides the romance that they maintained, the break of it and commitment.

Exhibition

An intimate examination of a contemporary artist couple, whose living and working patterns are threatened by the imminent sale of their home.