Unveiling the Calgary Soldiers' Memorial

The unveiling and dedication ceremony of the Calgary Soldiers' Memorial.

Between Science and Garbage

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

The Enclave

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

Plains

Set in the sparsely populated lobster fishing villages of southern Nova Scotia, Plains is a cinema vérité approach to documenting the curious lives of Jon and Cat, a young couple who are developing politically left-leaning virtual reality video games. Against the busy backdrop of their art practice, we sit in on their quiet rural life, which, in its proximity to nature and the vast green and oceanic spaces that surround, echoes the romanticism of a simpler time. As the decaying world of physical labour and the mechanical industry faces up to an expanding digital empire, Jon gradually retreats into the alternative realities of his own design.

Tourist;Drifter

An experimental coming-of-age odyssey through someone's troubled mind, going from country to country, landscape to landscape, growing up in the process. A documentary, travelogue, vlog, dream and self-portrait. A reflection on life, death and history.

Grindland – Red, Monk and the Birth of DIY

“Grindland – Red, Monk and the Birth of DIY” is the story of Mark Scott and Mark Hubbard, two visionary skaters from the Pacific Northwest who, along with dedicated friends, kickstarted the modern DIY/concrete skatepark revolution. From the early days of Burnside to 2019’s Rip Ride Rally, this film explores the friendship, struggle, triumph and tragedy of true iconoclasts, hellbent on building the skateparks of their dreams. With commentary and appearances by Mark Scott, Mark Hubbard, Danyel Scott, Buddy Nichols, Sam Hitz, Peter Hewitt, Kaya Hubbard, Grindline the Band and many more. By Michael Burnett and Matt Bublitz

Nuuk

Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day to night and the influence of the weather gives motion to the segments. He condenses a total of 3,000 individual web images taken from the Internet into one scene. Despite the cinematic motion of the image, it seems like a still photo.

Late Anthropocene

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.

La Théorie du Boxeur

Nam June Paik: Moon Is the Oldest TV

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today's world.

A Bear Named Jesus

At Archer’s Aunty Gladys’ funeral, he hears a tap on the window — it’s a bear named Jesus, who has come for Archer’s mom. “A Bear Named Jesus” is an allegory for religious interference, with an aching yet humorous look at estrangement and mourning for the loss of someone still living.

Dear Zachary: A Letter to a Son About His Father

In 2001, Andrew Bagby, a medical resident, is murdered not long after breaking up with his girlfriend. Soon after, when she announces she's pregnant, one of Andrew's many close friends, Kurt Kuenne, begins this film, a gift to the child.

Cadillac Desert: Water and the Transformation of Nature

Documentary on water usage, money, politics, the transformation of nature, and the growth of the American west, shown on PBS as a four-part miniseries.

Is This Water?

A Movie about Water, Thievery, and Being a Prisoner to Conventional Thoughts.

Lake

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”

電子の拓本

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

Water for the Prairies

This 1950s' film looks at the measures to preserve water flow from the Rocky Mountains. With the steady falling of the water table, the exploitation of timber stands and the recession of glaciers, water conservation was an urgent concern of the Alberta and federal governments.

TRAY TRAY KO

Draped in an electric blue fabric, the artist acts as a conduit between the tangile and the spiritual, blurring the boundaries between human form and natural elements.

Small Mountains

A slug climbs small mountains at the peak of Mount Greylock (3,489 ft).

Samples II

In “Samples II”, Alÿs walks around London with a drum stick in his hand, playing the sounds of metal fences beside him.