Antoine, le danseur de la falaise

Rock Climbing Classics, La Rose et le Vampire 8b

The Gimp Monkeys

What has four legs, five arms and three heads? The Gimp Monkeys. Craig DeMartino lost his leg after a 100-foot climbing fall. Pete Davis with born without an arm. Bone cancer claimed Jarem Frye's left leg at the age of 14. While the three are linked by what they are missing, it is their shared passion for climbing that pushed them towards an improbable goal - the first all-disabled ascent of Yosemite's iconic El Capitan.

Le Livre d'image

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Edlinger, la liberté au bout des doigts

In the 1980s, Patrick Edlinger, nicknamed "Le Blond", painted with the grace of a poet the first chapter in the world history of free climbing. In his hands, marginal exercise has become a real lifestyle, carrying a message of freedom. His famous solos, beyond the proven feat they represent, bear witness to this. Life at Your Fingertips, the first internationally known climbing film, touched and inspired by generations of climbers; Edlinger was one of the meteors that shone light on the cliffs of the world by following the trajectory of a single idea: to be free to live only by "climbing". Yet the man capable of concessions in the face of the necessities of life (competitions, advertisements) and pressure from the media, his public and the desires he aroused.

L'Escalade libérée

Statement of Youth

At the start of the 80’s sport climbing was in its embryonic stages. Bolted routes were beginning to make a regular appearance, indoor climbing walls as we know them nowadays had not yet been invented and there was no such thing as being a pro athlete. During that period standards rose exponentially, from 7b+ as the cutting edge to 9a becoming the new world standard at the end of the ’80’s. In such a short period the sport changed beyond recognition and, in Britain, was fuelled by a small group of climbers who would do anything to climb full-time: sleeping in sheds underneath crags, shoplifting for food and clothes, and living off unemployment benefits. As illustrated in this film directed by Nick Brown, these climbers were living outside the rest of society and went on to become the most influential figures in the history of British sport climbing.

Stone Love

ZAPPER!

In a surreal universe where bananas fire laser beams and soup cans are used as grenades, a wacky cast of gangsters are thrown into a deadly game to battle it out over a mystical longboard in this trippy take on the Tarantino crime genre.

La Voie Terray

Terray. This name sounds like a challenge and evokes deep respect in the memory of every mountaineer. For all, Lionel Terray remains forever the "Conqueror of the useless", the example of a generous and mature mountaineer, far from any egocentrism and any ambition. Not only a pioneer and witness to the history of mountaineering, Terray is also remembered as a man and a master more than an athlete. Forty years after the tragic death of this extraordinary mountaineer and guide, who liked to think of himself as a "simple mountaineer", his former friends and the youngest generation of mountaineers come together in this film to celebrate and remember his legacy.

Tourist;Drifter

An experimental coming-of-age odyssey through someone's troubled mind, going from country to country, landscape to landscape, growing up in the process. A documentary, travelogue, vlog, dream and self-portrait. A reflection on life, death and history.

The Ledge

A rock climbing adventure between two friends turns into a terrifying nightmare. After Kelly captures the murder of her best friend on camera, she becomes the next target of a tight knit group of friends who will stop at nothing to destroy the evidence and anyone in their way.

A Personal Fidget

Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.

Cerro Torre: A Snowball's Chance in Hell

Movie about David Lama climbing the Patagonian mountain Cerro Torre for the first time free, a mountain that has been dubbed the most difficult to climb in the world.

Patrick Gabarrou, Pèlerin des cimes

Algumas coisas preciosas

During an audio message sent to his daughter, a father reflects on how the recent discovery of dusty reels and scratchy VHS tapes capturing childhood moments has propelled him on a journey of ancient memories and forgotten dreams . Using a blend of personal, public domain, and freely available footage, the film deconstructs reality and reimagines the past, questioning where memory ends and imagination begins.

Best of Three

Beneath the Concrete, The Forest

“Beneath the Concrete, The Forest” is a short experimental documentary that takes us inside an ongoing struggle inside the city of Atlanta, GA between two sides to determine the future of Weelaunee, the biggest contiguous urban forest in the country.

Algérie Couleurs

"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973

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