Ballade à Devil's Tower

At the peak of her career as a rock climber, Catherine Destivelle goes to the United States to get away from the competitions and to recharge batteries. There, Destivelle travels by car through Utah and Wyoming to make spectacular free solo ascents in Indian Creek, where she soloes 'Supercrack' (5.10d), in Dead Horse Point State Park, and on the iconic Devil's Tower, where she climbs unroped the second half of the classic 130-foot route 'El Matador' (5.10d).

Fine Lines

For nearly three years, director Dina Khreino interviewed world-class mountain climbing athletes, listening to what compels them to leave behind families, friends, and everyday comforts to risk everything for a fleeting glimpse into the unknown. What she found was a tribe, a diverse group of professional adventurers and amateur philosophers forged by the ultimate test of body, mind, and spirit. In the face of shifting winds, sheer granite cliffs, and impossible odds, they climb. Each for their own reason, but every one connected by the vertical world. In this rarefied air, these athletes are fundamentally changed, not just as climbers, but as human beings.

Am Limit

At the Limit is a documentary about extreme climbing. In this sports documentary, Pepe Danquart shows brothers Thomas and Alexander Huber climbing in Patagonia and on the granite rock "El Capitan" in Yosemite Valley (USA). A key part of the film is their attempt at a speed ascent of the 1,000-meter-high route "The Nose," in which the two athletes aim to break the then speed record of 2:48:30 hours, set by Hans Florine and Yuji Hirayama in September 2002.

C'est pas moi

This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.

In the Labyrinth

"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.

The Swiss Account

Bouldering in Switzerland.

Gary Hemming, le beatnik des cimes

The American mountaineer Gary Hemming marked the era of the 1960s. The story of this "exceptional" character is intimately linked to that of the rescue of the two German mountaineers on the west face of the Drus, in 1966, a rescue which he had took the initiative. While the official emergency services of the EHM try to reach them from above, a pirate rope made up of Gary Hemming, René Desmaison, Lothar Mauch, Gil Bodin, Mike Brurke, François Guillot, the filmmaker Gérard Bauer organizes to join them from below and succeeded after a fierce struggle the rescue. The press seizes the event and elevates Gary Hemming to the rank of national hero. All the newspapers feature this big guy with a cool attitude, mismatched clothes, jovial smile and long blond hair on the front page. From then on, he was nicknamed: "the beatnik of the peaks".

Safety Third

“There’s a fine line between being bold and being a dumbass. And I think Brad did some time on both sides of the line.” Such are the words filmmaker and climber Cedar Wright uses to describe the subject of his new film. Meet Brad Gobright, 27 years old, busboy at a fine dining establishment, dirtbag, college dropout. Gobright’s diet consists of sprinkled donuts, scraps from work, glazed croissants, apple pie, and any and all junk food. And one other thing: Gobright is one of the best and boldest free solo climbers in the sport — who nobody has ever heard of. Safety Third shines the spotlight on Gobright, probably for a shorter moment than he deserves. But it doesn’t matter. His mind is elsewhere, focused on his next free solo.

L'Appel Du Hoggar, Au Cœur De L'Atlantide

Documentary on the French Alpine expedition to Hoggar in Algeria, starring Roger Frison-Roche, Raymond Coche, Pierre Lewden, and François de Chasseloup-Laubat. The 1935 French Alpine Expedition to Hoggar was conceived and prepared by Lieutenant Raymond Coche, the ideal leader for an expedition that would combine alpine and Saharan terrain in Algeria. Among his goals, he set himself the task of leading a French rope team to the still-untouched summits of Atakor and Tefedest and planting the French flag there. His old friend, Pierre Lewden, an athlete and journalist, was soon on the team, and to complete their project and complete the trio, they called on Roger Frison-Roche, a guide from Chamonix and one of the best climbers of this generation. A few days before their departure from Paris, filmmaker Pierre Ichac joined them.

The Fatal Game

In 1994, New Zealand mountaineer, Mark Whetu, summitted Mt Everest with climbing partner and friend Mike Reinberger. However it was late in the day and after a freezing night on the summit, Whetu was faced with a terrible decision...to leave Reinberger or stay with him forever.

Le Livre d'image

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

To The Limit

This documentary follows world-class athletes as they perform spectacular, eye-opening feats. Experience a rock climber scale a near impossible cliff, an Olympic skier take to the mountains, and a prima ballerina make a dance that uses every single muscle look effortless.

Le Dernier Voyage de Patrick Edlinger

L'Appel Des Cimes

L'Appel Des Cimes, directed by Alain Pol, is a documentary commissioned by the CAF and the various French ministries on the practice of post-war mountaineering. In 1946, climbers trained at the Fontainebleau Climbing School. Guy Poulet and Jacques Poincenot try to climb the Aiguilles de Chamonix but fail during the climbing phase. After a night in a refuge with Denise Rouzeau and the guide Pierre Allain, the mountaineers make a new attempt. Successful demonstration for those who continued the approach walk then the passage of the seracs of the glacier. On the rock, the roped party crosses a chimney and a crack to reach the summit and abseil down. Led by high mountain scouts, Guy and Jacques rediscover the glaciers and needles of the Mont-Blanc massif during the next lesson.

電子の拓本

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

Progression

Behind every breakthrough in the progression of climbing, there's a true story of doubt and determination, perseverance in the face of failure. From boulders, to big walls, to competition podiums, the climbers at the top of the game share a commitment to do whatever it takes to achieve their vision.

Plan-Séquence

In a vertiginous sequence, Claude Lelouch's camera follows Patrick Edlinger climbing with his bare hands one of the routes of the spectacular Cimaï cliff. The action takes place in the Consensus voice (7c+/8a+) at the Cimaï quarry. In a place large enough where Claude Lelouch had been able to take out his crane to make a vertical trip. Later, in 2013, the foot of the Consensus route will experience landslides, the climbing sector has since been prohibited by municipal decree, huge blocks threatening to fall.

Godard, seul le cinéma

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

Passion Extrême

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