Chavismo: La peste del siglo XXI

An analysis of the causes, social, political, and economic that caused the rise of Hugo Chávez as president of Venezuela; his abuse of power and the response of civil society, including the student movement; his political fall as well as the secrecy that surrounded his illness and the succession of Nicolás Maduro.

Freedom Isn't Free — The Freedom Charter Today

Since its adoption in June 1955 by the Congress movement, the Freedom Charter has been the key political document that acted as a beacon and source of inspiration in the liberation struggle against Apartheid. It was reputedly the main source that informed democratic South Africa’s liberal constitution and a constant reference point for the ruling African National Congress (ANC) and rival political parties that it spawned since 1994, all claiming the Freedom Charter’s legacy. Freedom Isn’t Free assesses the history and role of the charter, especially in relation to key political and socio-economic aspects of developments in South Africa up to the present period. It includes rare archival footage with interviews of a cross-section of outspoken influential South Africans.

Trumped: Inside the Greatest Political Upset of All Time

In a behind-the-scenes look at the biggest political upset in recent history, Mark Halperin, John Heilemann and Mark McKinnon offer unprecedented access and never-before-seen footage of candidate Trump, from the primaries through the debates to the dawning realization that the controversial businessman will become the 45th President of the United States.

Les blues du bleuet

Summer unveils a new blueberry season in northern Canada. The fields are covered in blue and workers from all over scramble before the frost puts an end to the harvest. And yet this time of year is much more than just picking: it's a time of music and connection.

Chine : Opérations secrètes

Quais-Blues

Roberto Benigni: Tuttobenigni

A young Roberto Benigni in one of his first public show in Florence at Parco delle Cascine.

History on the Run: The Media and the '79 Election

This documentary examines the media's coverage of the Canadian federal election of May 1979. Filmed over a 3-week period, it takes a fascinating look at journalists in action and the politicians who attempt to manipulate the media.

Encontro com Milton Santos ou O Mundo Global Visto do Lado de Cá

The film deals with the process of globalization based on the thought of geographer Milton Santos, who through his ideas and practices, inspires the debate about Brazilian society and the construction of a new world. Santos discusses his views on the importance of respecting difference and his belief that an alternative globalisation model could wholly enfranchise all citizens of the world. An illustrious presence in 20th century social sciences, the man dubbed as ‘geography’s philosopher’ eloquently elucidates a developing world perspective on the global age.

The New West and the Politics of the Environment

This film explores how iconic Nevada Senator Harry Reid set the foundations for a green new deal.

Walt's Disenchanted Kingdom

Has Disney lost its way? Many Disney fans have noticed a sharp increase in the company's political and social activism. This film reveals how Disney pushes an activist agenda and sexual ideology through children's movies, cartoons and public political battles. Experts and insiders analyze the once-beloved family-friendly brand's controversial politics and the impact on children and families.

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Il treno va a Mosca

In the aftermath of Stalin’s death, three Italian communists engage in a trip to the Soviet Union to challenge their utopia with an 8mm camera. In 1957, Sauro, Luigi and Enzo all live in Alfonsine, a small town in Italy ruled like a miniature Soviet Union by the Italian Communist Party. As many communists in the West, they dream of the Soviet Union, and hope for the great Revolution. But with the wind of reform and self-criticism blowing through the Eastern Bloc after the death of Stalin the image of the Soviet Union as the workers’ paradise begins to crumble. They therefore decide to travel to the USSR to find out what is true and what is false in this supposed land of milk and honey. They film their entire journey with their 8mm camera. Through this invaluable personal archive, our film tells the hopes, disappointments and challenges of three young men faced with the reality of what seemed to be a utopia come true.

México, México: Mexique en mouvement

"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."

María Domínguez. La palabra libre

Dans la peau de Kim Jong-Un

The Unbelievable Story of Carl Beech

The jaw-dropping story of Carl Beech, a former nurse from Gloucester who claimed he had been sexually abused by a group of prominent men in the 1970s and 80s.

Imperial Sunset

This short satirical film, created entirely from archival footage, is about the British Empire—on which the sun never sets. The majority of the humour and wit is found in the interplay between image and sound: what we see during the formative days of the Empire, and what famous servants had to say about it. Edited by Oscar®-nominated experimental filmmaker Arthur Lipsett (Very Nice, Very Nice).

Guy Debord, son art et son temps

Except for a few brief evocations of Debord’s “art” during the first ten minutes or so, most of this “antitelevisual” video consists of television clips illustrating the extreme degradation and delirium of the present society. It’s a powerful denunciation, but not so deft and subtle as Debord’s films, perhaps because it was made during the worsening stages of his final illness. Presumably intended as a parting shot at the society he detested, it was completed shortly before his death in November 1994 and shown January 9, 1995, on a French cable channel along with La Société du Spectacle and Réfutation de tous les jugements (whence the video copies that have since circulated).

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