Rotzloch

At the end of a quarry, in a godforsaken place called Rotzloch, a new life begins for four young men.

Allons enfants

HipHop as a language and an outlet for young people: The film follows the youngest class members of a dance academy on their way to becoming professional dancers. Many of the students come from the socially deprived areas of Paris. Accompanied by a pulsating, dancing camera that pulls the audience right into the action, the film negotiates themes such as origins, pains, dreams and hopes.

De Outro Sítio

On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.

De Gaulle, histoire d'un géant

50 years after the death of General De Gaulle, this film retraces his life, from his birth in 1890 to his burial at Colombey-Les-Deux-Eglises in 1970.

Mi vida dentro

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

39-45 : Les policiers dans la résistance

Brother Towns/Pueblos Hermanos

Over a thousand immigrant workers from the highland of Maya community of Jacaltenango, Guatemala live and work in Jupiter, Florida, a costal resort town. The two towns are thousands of miles apart. Brother Towns/Pueblos Hermanos, filmed in both Guatemala and the U.S., chronicles how and why people migrate across borders, how people make and remake their communities when they travel far from home, and how people maintain families despite their travel. Brother Towns/Pueblos Hermanos is story of local and international controversy. News of undocumented immigrants is familiar in nearly every community across the U.S., and citizens must choose how they respond to this issue. Our story includes voices of those opposed to undocumented immigrants as well as advocates helping migrants who seek work and hope, whether documented or not.

Twenty Show: Le Film

Twenty Show was the first "user generated film", edited from fictional and real video-blogs. A unique experience initiated on the Internet, a mockumentary that paints a generational portrait of young French people in their twenties.

A86 : Le Défi d'un tunnel à double étage

The Duplex A86 is a 10 kilometer underground highway buried more than 90 meters deep. This concrete tube, measuring the equivalent of more than 30 lying Eiffel towers, is the longest tunnel in France. The result of a succession of technical prowess born from the imagination of visionary engineers, the Duplex A86 allows you to cross all of western Paris in a few minutes.

Paris sur Seine

A history of the bridges of Paris, through modern views and historical engravings.

Santuario

In Greensboro, NC, a small church community offers sanctuary to Juana Ortega, a Guatemalan grandmother threatened with deportation after 25 years of living and working in the United States.

Pariisin prinssi

A film about Princesse, a 9-year-old Cameroonian, and her father, who leaves Africa to make their dreams come true. The two keep in touch through numerous phone calls. Princesse goes to school while her father is trying to make it in Paris cleaning streets and selling souvenirs that enable him to send nice clothes to his daughter – and a smartphone that she’s been begging for.

Le sel de la terre

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

Mon Histoire N'est Pas Encore Écrite

Jacqueline Gozlan - who left Algeria with her parents in 1961 - nostalgically retraces the history of the Algiers Cinematheque, inseparable from that of the country's Independence, through film extracts and numerous testimonies; notably that of one of its creators, Jean-Michel Arnold, but also of filmmakers such as Merzak Allouache and critics such as Jean Douchet. A place of life for Algerians, the Cinémathèque was the hub of African cinemas. Created in 1965 by Ahmed Hocine, Mahieddine Moussaoui and Jean-Michel Arnold, the Cinémathèque benefited from the excitement of Independence. The Cinematheque becomes a meeting place for Algiers society, future filmmakers find their best school there. In 1969, the Algiers Pan-African Festival brought together all African filmmakers, and from 1970, Boudjemâa Kareche developed a collection of Arab and African films.

Andiamo In’merica – Os Italianos No Brasil

A documentary about Italian immigration in Brazil.

The Lebanese Burger Mafia

The heir to a Burger Baron franchise, the filmmaker chases clues through rural Alberta, capturing the trials and tribulations of Arab immigrants while uncovering the saga of a rogue fast-food chain with mysterious origins and a cult following.

How Every Film You Watch Tells You To Love The Rich and What To Do About It

"How Every Film You Watch Tells You To Love The Rich and What To Do About It" explores the representations of wealth in cinema. It looks into how most beloved characters are subtly more well-off than they should be, how criticisms of the system are crushed, how the rich have become the average in the world of the cinema. And it shows how these stories distort the view of the real world, and are used against you by politicians.

Cassis

"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM

La Bataille d'Alger, l'empreinte

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.

"An Untitled Film" by George Alshevskij-Jones

“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.