Baroque! From St Peter's to St Paul's

In this three-part documentary series Waldemar Januszczak discovers paintings, sculptures and architecture of the Baroque period. Starting from the square of Saint Peter's Basilica in Italy to St Paul's Cathedral in England.

流动的盛宴

Emancipation Road

From The Creators Of The Best-Selling Documentary Series "Up From Slavery"... A 7-Part Compelling Journey Through America's Greatest Saga. In 1860, the nation founded upon an idea that all men are created equal and endowed by their creator with the inalienable rights of life, liberty, and the pursuit of happiness had as many as four hundred thousand slave-owners and almost four million slaves. By denying these rights to more than twelve percent of its population, America would soon pay with the blood of a generation. The story of African Slavery in America started with the first permanent English Colony in the 17th century... and ended with the Civil War. But those two hundred and fifty years of struggle were just the beginning. The beginning of a journey down the long Emancipation Road...

Prophets of Science Fiction

The series covers the life and work of leading science fiction authors of the last couple of centuries. It depicts how they predicted and, accordingly, influenced the development of scientific advancements by inspiring many readers to assist in transforming those futuristic visions into everyday reality.

Bratislavské pondelky

Operación Chile: Top Secret

Big Sky, Big Dreams, Big Art: Made in the USA

A history of American art with Waldemar Januszczak

The Art Mysteries with Waldemar Januszczak

Art historian Waldemar Januszczak uncovers the secret meanings hidden within some of the greatest paintings by Van Gogh, Gauguin, Cezanne and Seurat .

Rococo: Travel, Pleasure, Madness

Rococo art is often dismissed as frivolous. But Waldemar Januszczak disagrees and in this three-part series he tries to bring Rococo art closer to us, and argues that the Rococo was the age in which the modern world was born.

Constructing Australia

Arthouse

Channel 4 documentary series covering all branches of the arts.

Lost Treasures of the Maya

A new "treasure map" of the Maya world is transforming what we thought we knew of one of the world most mysterious ancient civilizations.

Martin Clunes: Islands Of Britain

Faire oeuvre utile

The Derbyshire Auction House

Following one of the few women in Britain to helm an auction house, Irita Marriott. The series follows her as she builds her business in south Derbyshire, helping vendors make money from unwanted items.

The Booze, Bets and Sex That Built America

Divulges surprising origin stories of the American alcohol, gambling, sex, and tobacco industries and the ambitiously notorious entrepreneurs who built some of history's biggest fortunes on the nation's cravings.

Ancient Megastructures

Examine how ancient civilisations built some of the most magnificent structures on the face of the Earth, many centuries before the industrial revolution.

Meet the Makers

Meet The Makers brings us across the globe as we meet artisans of some age-old crafts. In a time where consumerism fuels the machines of mass production and instant gratification, watch as these men and women devote their lives to preserve the artistry of their trade with their handiwork. Be captivated by these masters at work—from a swordsmith to an ink maker—as they continually hone their skills in the pursuit of perfection.

History's Verdict

A group of history experts from London's King's College has created this documentary series that tries to assess the key political figures of WWII.

Shoah

Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single frame of archival footage. This epic documentary changed the way we think about the Holocaust. Featuring interviews with survivors, bystanders, and perpetrators from across Europe, mostly Poland and Germany, Shoah is drawn from over 300 hours of contemporary conversations with these witnesses, along with footage of overgrown sites of unspeakable horrors, including the concentration camp at Auschwitz. The monumental film grew out of Lanzmann's concern that the genocide perpetrated only 40 years earlier was already being forgotten. In response, he relied entirely on accounts from witnesses, rather than historical footage or reenactments, sometimes resorting to hidden cameras or other deceptions to coax stories and memories from those with whom he spoke.