Horowitz in Vienna

Vladimir Horowitz's piano recital in 1987 at the Musikvereinssaal in Vienna.

Horowitz in London

Vladimir Horowitz's piano recital in 1982 at Royal Festival Hall in London.

Beethoven: The Symphonies

Conductor: Claudio Abbado. Orchestra/Ensemble: Berlin Philharmonic Orchestra. 1.Symphony no 1 in C major, Op. 21 2. Symphony no 2 in D major, Op. 36 3. Symphony no 3 in E flat major, Op. 55 "Eroica" 4. Symphony no 4 in B flat major, Op. 60 5. Symphony no 5 in C minor, Op. 67 6. Symphony no 6 in F major, Op. 68 "Pastoral" 7. Symphony no 7 in A major, Op. 92 8. Symphony no 8 in F major, Op. 93 9. Symphony no 9 in D minor, Op. 125 "Choral"

Gustav Mahler: Symphony No. 2 Resurrection

In 2005, the Staatsoper Berlin and its orchestra, the Staatskapelle Berlin under musical director Daniel Barenboim, celebrated a series of events to celebrate the 80th birthday of French conductor and composer Pierre Boulez. Artistically associated for decades with Barenboim and Berlin, Pierre Boulez is one of today's most distinguished composers and conductors. As part of the celebration, Boulez conducted a performance of Mahler's "Resurrection" Symphony at the Berlin Philharmonie. With his uncompromising approach to the score, Pierre Boulez's Mahler readings have long fascinated critics and audiences alike. Boulez eschews the romanticized readings common in performance tradition and, instead, reveals the real joy and terror in Mahler's large-scale symphonies.

Zigeunerliebe

Herbert von Karajan conducts Strauss's Death and Transfiguration & Metamorphosen

Not Mozart: Letters, Riddles and Writs

Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.

8.1

An abstract film on the music 'Unfinished' 8th Symphony, part 1, by Franz Schubert by Oerd van Cuijlenborg

Jakub Jan Ryba – Česká mše vánoční „Hej, mistře!“

Antonín Dvořák: Slovanské tance op.46, op.72

Antonio Caldara – Magdaléna u nohou Kristových

José Cura a Slovenská filharmónia

Leos Janácek - Kát'a Kabanová

Janáček's three-act opera Katya Kabanova, staged by Barrie Kosky and staged at the Felsenreitschule by Czech conductor Jakub Hrůša with an international cast of soloists, was performed on August 7 at the 2022 Salzburg Festival. The opera is based on the play The Storm by Aleksandr Ostrovsky. Set in a small Russian town, the story revolves around Káta, who is trapped in a loveless marriage to an abusive man named Boris. When she meets and falls in love with a young man named Vána Kudrjáš, she finally experiences happiness and passion. But their relationship is short-lived, as Boris finds out and forces Káta to confess her infidelity in front of the entire town. The opera explores themes of social conformity, oppression, and the consequences of forbidden love. Stage director Barrie Kosky creates an intimate but impressive setting in the magnificent Felsenreitschule.

Artur Rubinstein: The Legendary Moscow Recital

Arthur Rubinstein's 1964 recital in the Great Hall of the Moscow Conservatory, filmed and recorded by Soviet television and preserved in its archives, in a program of work of Chopin and — in encores introduced from the stage by Rubinstein — Schumann, Chopin, Debussy, and Villa-Lobos.

De battre mon cœur s'est arrêté

A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.

Shiny Objects - The Conductor with ADHD

Recently diagnosed with ADHD, a symphony conductor uses the career shutdown of the 2020 pandemic to dive into her mental health. She looks for ways to face the challenges and honour the gifts of being neurodiverse.

Slovenská filharmónia v Dubaji

V hlavní roli trubka

Vladimir Horowitz: das Moskau-Konzert - Sternstunden der Musik

After more than 60 years, the uncrowned king of 20th century pianists returned to his freedom-torn homeland to perform his swan song in a piano recital. In the mid-1980s, a breathtaking concert took place in Moscow that many still recall with emotion. The great Ukrainian-American pianist Vladimir Horowitz performed there for the first time in more than half a century. At that time, the border between East and West was impassable. The Cold War was in full swing. The two superpowers, the US and the Soviet Union, considered each other enemies. The race to produce atomic weapons threatened everyone's lives. The legendary pianist Vladimir Horowitz, then eighty-two years old, began one evening discussing with his concert agent Peter Gelb what he dreamed and wished for. One of the things was to look back to Russia.

W.A. Mozart – Koncert pre klavír a orchester č. 20 d mol