语路

The film uses a documentary approach to tell the stories of 12 Chinese pioneers, chosen from the fields of business and the arts. The protagonists reflect upon their life journeys against the backdrop of modern China.

L'Afrique rêvée Senegal

Ascension

The absorbingly cinematic Ascension explores the pursuit of the “Chinese Dream.” Driven by mesmerizing—and sometimes humorous—imagery, this observational documentary presents a contemporary vision of China that prioritizes productivity and innovation above all.

归途列车

A family embarks on an annual tormenting journey along with 130 million other peasant workers to reunite with their distant family, and to revive their love and dignity as China soars as the world's next super power.

Visions Cinema: Film as a Way of Life: Hong Kong Cinema - A Report by Tony Rayns

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

The China Hustle

An unsettling and eye-opening Wall Street horror story about Chinese companies, the American stock market, and the opportunistic greed behind the biggest heist you've never heard of.

Flood in the Desert

Explore the 1928 collapse of the St. Francis Dam, the second deadliest disaster in California history. A colossal engineering and human failure, the dam was built by William Mulholland, a self-taught engineer who ensured the growth of Los Angeles by bringing the city water via aqueduct. The catastrophe killed more than 400 people and destroyed millions of dollars of property.

Země jihu – Vietnam

Hatay

Dwarves Kingdom

Dwarves Kingdom is a documentary film about a theme park featuring performances by little people with dwarfism who live in a fantasy recreation of a magical empire. Built by a wealthy Chinese businessman, this other-worldly kingdom, officially called World Ecological Garden of Butterfly and Little People Kingdom, is located in the mountains surrounding the city of Kunming in Western China.

方绣英

In a quiet village in southern China, Fang Xiuying is sixty-seven years old. Having suffered from Alzheimer's for several years, with advanced symptoms and ineffective treatment, she was sent back home. Now, bedridden, she is surrounded by her relatives and neighbors, as they witness and accompany her through her last days.

青春（春）

This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.

Once ... Agadir

This short-length documentary takes us to Agadir, a city in Morocco that was struck by an earthquake in 1960. The film, made by an expatriate Moroccan who lost family and friends in the disaster, is a memorial to that tragedy and to the past he left behind when he came to North America. Partly allegorical, it employs varying techniques to offset reality from fantasy sequences.

Love Factory: The Price of Being a Social Media Star

Livestreaming your life to a devoted audience is big business. What happens when the cameras are off?

China's Last Little Train

In a mountainous region of Sichuan, best known for pandas and earthquakes, there are no roads, no cars, no buses. But there is … a train. This documentary tells the story of the last working narrow gauge steam railway in China.

Vajont 9 ottobre '63

Kampf um Tibet

Tibet Les nourritures spirituelles

Tibet - Les nourritures terrestres

I Am Here

It's a story about post-90 generation in China and how they chasing their dreams through a talent show. The summer of 2013 saw a group of young boys enter a Chinese TV talent show called Super Boy, hoping to be catapulted to fame. The film documents how the young boys coped with their new challenging lives. While under unthinkable pressure, they proved themselves by trying to make the right choices during live shows. Talent shows create a new type of entertainer, but can they still keep their true selves? Can they adjust themselves and balance the ups and downs? What have the ten years of Chinese talent shows given us? What is urging us to grow up?