Bylo nás deset

At the beginning, the newly arrived soldiers form a musical theatre troupe to escape the humiliation of the older ones. They vow that they will be good to the next recruits. But it turns out that nothing can be done without strictness and that greed is not some kind of deviant perversion. In this comedy you will find not only great musical numbers, but also a lot of gags from the military environment. It is also the first film in which the famous semaphore duo Suchý and Šlitr appeared.

Save the Last Dance

After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.

The Muppet Christmas Carol

A retelling of the classic Dickens tale of Ebenezer Scrooge, miser extraordinaire. He is held accountable for his dastardly ways during night-time visitations by the Ghosts of Christmas Past, Present and Future.

Step Up 2: The Streets

When rebellious street dancer Andie lands at the elite Maryland School of the Arts, she finds herself fighting to fit in while also trying to hold onto her old life. When she joins forces with the schools hottest dancer, Chase, to form a crew of classmate outcasts to compete in Baltimore s underground dance battle The Streets.

Sternenhoch

Trapped in an abusive marriage, a wealthy German prince desperately seeks a way out. But what appears to be the road to salvation soon turns into a highway to hell. The universal language of music meets the international language of Esperanto in this debut opera by Ivan Acher. The carpenter, forest worker, designer and composer has cleverly blended electro-acoustic and contemporary music to breathe life into Ladislav Klíma’s expressionist novel, The Sufferings of Prince Sternenhoch.

Oscar

Oscar©, a powerful exploration of the life and writings of literary legend, Oscar Wilde. A spectacular new full-length ballet by Tony Award-winning choreographer Christopher Wheeldon In a celebration of the beauty and complexity of love in all its forms, Oscar© brings queer romance to life through Wheeldon’s innovative and heart-stirring choreography. Oscar© journeys through the extraordinary life of Wilde – a man who dared to live and write with unapologetic boldness – while masterfully integrating two of Wilde’s best-known works, The Nightingale and the Rose and The Picture of Dorian Gray.

Jenůfa

When a beautiful young woman in rural Moravia becomes unexpectedly pregnant, she learns that love is sometimes only skin-deep. Janáček took Gabriela Preissová's grim tale of infanticide and redemption, and condensed it into a masterful, spine-chilling drama. The tragic plight of the protagonists is presented with unsentimental realism that cannot help but trigger a response of deep compassion. Premiered at the National Theatre in the composer's hometown of Brno 115 years ago, the opera took him nine years to complete and is the first in which his distinctive voice can clearly be heard.

Blanche Neige

To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.

The Sky Is Everywhere

Lennie is a teen musical prodigy grieving the death of her sister when she finds herself caught between a new guy at school and her sister's devastated boyfriend. Through her vivid imagination and conflicted heart, Lennie navigates first love and first loss.

The Hottest State

A young actor from Texas tries to make it in New York while struggling in his relationship with a beautiful singer/songwriter.

Matthew Bourne's Romeo + Juliet

Matthew Bourne's Romeo and Juliet is a passionate and contemporary re-imagining of Shakespeare's classic love story. Bursting with youth, vitality and Matthew Bourne's trademark storytelling.

Nick and Norah's Infinite Playlist

Nick cannot stop obsessing over his ex-girlfriend, Tris, until Tris' friend Norah suddenly shows interest in him at a club. Thus begins an odd night filled with ups and downs as the two keep running into Tris and her new boyfriend while searching for Norah's drunken friend, Caroline, with help from Nick's band mates. As the night winds down, the two have to figure out what they want from each other.

The Marvelous Land of Oz

The Marvelous Land of Oz is a 1981 musical play by Thomas W. Olson, Gary Briggle, and Richard Dworsky, based on the 1904 novel by L. Frank Baum. Not long after the events in The Wonderful Wizard of Oz, a young boy named Tip is the unhappy servant of Old Mombi, a wicked Sorceress in the Land of the Gillikans (in the north of Oz). One day Tip escapes, after creating a walking stick figure with a jack-o-lantern head named Jack Pumpkinhead with a magic Powder of Life stolen from the witch. He goes to the Emerald City, now ruled by the Scarecrow, but unfortunately, a female Army of Revolt, 400 strong and led by General Jinjur, captures the city. The Scarecrow, Tip, Jack, and some other oddball characters flee the city and head west to the land of the Winkies, now ruled by the Scarecrow's old friend the Tin Woodman. They must recapture the Emerald City, defeat Old Mombi (who allies herself with Jinjur), and most of all, discover the true secret of unassuming young Tip.

सावरिया

Two souls arrive in a small town, one on vacation, the other to meet a lover. They spend the most magical dream-like days of their lives in that town... with each other.

Hans Christian Andersen

A small-town shoemaker with a knack for spinning yarns, Hans encounters happiness and heartbreak on his road to becoming a full-fledged writer.

Concerto / Enigma Variations / Raymonda Act III (Royal Ballet)

From The Royal Ballet’s classical origins in the works of Petipa, to the home-grown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarized in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of the Company’s heritage.

Better Nate Than Ever

13-year-old Nate Foster has big Broadway dreams but there’s only one problem — he can’t even land a part in the school play. When his parents leave town, Nate and his best friend Libby sneak off to the Big Apple for a once-in-a-lifetime opportunity to prove everyone wrong. A chance encounter with Nate’s long-lost Aunt Heidi turns his journey upside-down, and together they must learn that life’s greatest adventures are only as big as your dreams.

Krútňava

Miláček

Z mrtvého domu / Glagolská mše

Can the darkest moments of life also lift our souls? Drawing on his own experience in a Siberian prison in the company of misfits, murderers and theives, Dostoevsky was inspired to write his novel Notes from a Dead House, telling his brother at the time: ‘Believe me, there were among them deep, strong, beautiful natures, and it often gave me great joy to find gold under a rough exterior.’ In Janáček’s hands, Dostoevsky’s inspiration and the raw material drawn from an appalling world of incarceration find an even more powerful form of expression in his last opera, From the House of the Dead. Unfettered by conventional story-telling, Janáček wrote his own libretto, freely weaving together a series of stories of everyday prison life and of the fates of individual convicts.