白鴿計劃：台灣新電影二十年

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.

I Am Alfred Hitchcock

Interviews and archival footage weave together to tell the story of the Master of Suspense, one of the most influential and studied filmmakers in the history of cinema.

Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima

In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.

A Profile of Hitchcock: The Early Years

Focussing on his early career, this profile looks at director Alfred Hitchcock’s breakthrough in silent films, acclaimed thrillers such as “The 39 Steps” (1935) and the influences which prompted his departure for a new life in America in 1939. Featuring Hugh Stewart, editor of “The Man Who Knew Too Much” (1934).

Karel Reisz, Ten filmový život

Vick

A comprehensive reminisce at each chapter of former NFL quarterback Michael Vick’s saga–the incredible rise, shocking fall and polarizing return.

The Name of This Film Is Dogme95

The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).

Richard Linklater: Dream Is Destiny

Highlighting one of the most innovative American directors, this film reveals the path traveled by the auteur from his small-town Texas roots to his warm reception on the awards circuit. Long before he directed Boyhood, Richard Linklater’s intense desire to create fueled his work outside the Hollywood system. Rather than leave Texas, he chose to collaborate with like-minded artists crafting modest, low-budget films in a DIY style. His ability to showcase realistic characters and tell honest stories was evident from his films, and others soon took notice of his raw talent.

Jordan Rides the Bus

In the fall of 1993, in his prime and at the summit of the sports world, Michael Jordan walked away from pro basketball. After leading the Dream Team to an Olympic gold medal in 1992 and taking the Bulls to their third consecutive NBA championship the following year, Jordan was jolted by the murder of his father. Was it the brutal loss of such an anchor in his life that caused the world’s most famous athlete to rekindle a childhood ambition by playing baseball? Or some feeling that he had nothing left to prove or conquer in basketball? Or something deeper and perhaps not yet understood?

Run Ricky Run

Ricky Williams does not conform to America’s definition of the modern athlete. In 2004, with rumors of another positive marijuana test looming, the Miami Dolphins running back traded adulation and a mansion in South Florida for anonymity and a $7 a night tent in Australia. His decision created a media frenzy that dismantled his reputation and branded him as America's Pothead. But while most in the media thought Williams was ruining his life by leaving football, Ricky thought he was saving it. Through personal footage recorded with Williams during his time away from football and beyond, filmmaker Sean Pamphilon takes a fresh look at a player who had become a media punching bag and has since redeemed himself as a father and a teammate.

The Birth of Big Air

In 1985, at the tender age of 13, Mat Hoffman entered into the BMX circuit as an amateur, and by 16 he had risen to the professional level. Throughout his storied career, Hoffman has ignored conventional limitations, instead, focusing his efforts on the purity of the sport and the pursuit of “what’s next.” His motivations stem purely from his own ambitions, and even without endorsements, cameras, fame and fans, Hoffman would still be working to push the boundaries of gravity. Academy Award nominee Spike Jonze and extreme sport fanatic Johnny Knoxville, along with director Jeff Tremaine, will showcase the inner workings and exploits of the man who gave birth to “Big Air.”

Tim Richmond: To the Limit

Natural. Rock star. Outsider. In the 80s, race car driver Tim Richmond lived his life the way he raced cars – wide open. Born into a wealthy family, Richmond was the antithesis of the Southern, blue-collar, dirt-track racers who dominated NASCAR. He also was a flamboyant showman who basked in the attention of the media and fans – especially female admirers. Nevertheless, it was Richmond’s on-track performances that ended up drawing comparisons to racing legends. And in 1986, when he won seven NASCAR races and finished third in the Winston Cup series points race, some believed he was on the verge of stardom. But soon his freewheeling lifestyle caught up to him. He unexpectedly withdrew from the NASCAR racing circuit, reportedly suffering from double pneumonia. In reality he had AIDS. Richmond returned to the track in 1987, but he was gone from the sport by the next year as his health deteriorated. He spent his final days as a recluse, dying on August 13, 1989, at the age of 34.

Inside the Coppola Personality

Monte Hellman's short portrait of Francis Ford Coppola discussing business and craft at home and on the set of his Zoetrope Studios.

Concerto Macabre: The Films of John Brahm

A look at the life and films of the expressionistic movie and television director John Brahm.

Les Clippeurs

Amor líquido

A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded

Vowellet - An Essay by Sarah Vowell

This Pixar documentary short follows Sarah Vowell, who plays herself as the title character, on why she is a superhero in her own way. (This short piece is included on the 2-Disc DVD for "The Incredibles", which was released in 2005.

녹차의 중력

IM Kwon-taek is a Korean film-maker. He was born in 1934 when his country was under Japanese occupation. When Korean War was over his parents became North Korean partisan, and he ran away from home. He’s made 101 films since he made his debut in 1962 with Farewell Doman River. He tasted the glory at Cannes Int’l Film Festival with Chiwhasun. However making the 102nd film seems harder than ever to this 80-year-old director. His 2 projects have been suspended. He still can’t find chance to make his 102nd film, but spends daily routine free from film-making. This is a recording of years that the film-maker spends without making a film.

백두 번째 구름

At 6:00 in the morning on the 1st day of January in 2013 80-year-old film-maker IM Kwon-taek started shooting his 102nd film, after his unintentional 5 years’ break. I visited the shooting scene with my camera and had stayed there until the end of that year. I’ve always wanted to record IM’s shooting scene, as I believed that there we could find his secret manual which reflects the master’s large experience. I’ve been through heavy snow to witness funeral scene. I’ve also been to the west coast to follow funeral cortege in the film. It was an experience to put the life in the frame alongside with the death. When the next spring came, the shooting finally ended.

Seau

The tale of one of modern football’s great icons, Junior Seau, whose tragic end still reverberates through the sports world today.