Lost in La Mancha

Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.

A Profile of Hitchcock: The Early Years

Focussing on his early career, this profile looks at director Alfred Hitchcock’s breakthrough in silent films, acclaimed thrillers such as “The 39 Steps” (1935) and the influences which prompted his departure for a new life in America in 1939. Featuring Hugh Stewart, editor of “The Man Who Knew Too Much” (1934).

De fem benspænd

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

Autoritratto Auschwitz. L'occhio è per così dire l'evoluzione biologica di una lagrima

In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.

The Name of This Film Is Dogme95

The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).

Richard Linklater: Dream Is Destiny

Highlighting one of the most innovative American directors, this film reveals the path traveled by the auteur from his small-town Texas roots to his warm reception on the awards circuit. Long before he directed Boyhood, Richard Linklater’s intense desire to create fueled his work outside the Hollywood system. Rather than leave Texas, he chose to collaborate with like-minded artists crafting modest, low-budget films in a DIY style. His ability to showcase realistic characters and tell honest stories was evident from his films, and others soon took notice of his raw talent.

Wes Anderson // From Above

A visual essay that highlights top-down shots from Wes Anderson's filmography.

The Men Who Made the Movies: King Vidor

Overview of director King Vidor's filmography.

An Evening with Kevin Smith

Kevin Smith interacts in Q&A sessions throughout various college stops in the USA.

Friedkin Uncut

An introspective insight into the life and artistic journey of William Friedkin, an extraordinary and offbeat director of cult films such as The French Connection, The Exorcist, Sorcerer, Cruising, To Live and Die in L.A. and Killer Joe. For the first time Friedkin opens up, guiding the audience on a fascinating journey through the themes and the stories that have influenced his life and his artistic career.

I Am Alfred Hitchcock

Interviews and archival footage weave together to tell the story of the Master of Suspense, one of the most influential and studied filmmakers in the history of cinema.

Karel Reisz, Ten filmový život

白鴿計劃：台灣新電影二十年

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.

Concerto Macabre: The Films of John Brahm

A look at the life and films of the expressionistic movie and television director John Brahm.

Bergmans början: Ilska. Kärlek. Magknip.

Documentary relating Ingmar Bergman's life, from his high school graduation up until he became an established filmmaker in the latter half of the 40's.

Les Clippeurs

La notte americana del Dottor Fulci

A testament of the greta B-movie director Lucio Fulci, whose films inspired great director like Quentin Tarantino. Lucio Fulci gift a long meditation about moviemaking fascinating for his sincerity, irony e clearness, about his filmmaking and his particular career.

Godard, seul le cinéma

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

바보야

The piercing cold of 10 below zero wasn't even a problem. In February, 2009, about 400,000 people gathered in Myung Dong for a brief meeting for a single reason. The late cardinal KIM Sou-hwan became the first cardinal in a land of poor faith. He summoned up his courage when no one took action. He practiced love as a miracle until he left us. He was a respected senior of the society beyond the religion in the turbulent times; a figure whose life had been like a fence for the disadvantaged. The late cardinal KIM Sou-hwan was ‘a great man of the era’. His passionate love is now revived on the screen.

백두 번째 구름

At 6:00 in the morning on the 1st day of January in 2013 80-year-old film-maker IM Kwon-taek started shooting his 102nd film, after his unintentional 5 years’ break. I visited the shooting scene with my camera and had stayed there until the end of that year. I’ve always wanted to record IM’s shooting scene, as I believed that there we could find his secret manual which reflects the master’s large experience. I’ve been through heavy snow to witness funeral scene. I’ve also been to the west coast to follow funeral cortege in the film. It was an experience to put the life in the frame alongside with the death. When the next spring came, the shooting finally ended.