우키시마호

22nd of August, 1945. Japan lost the war and they loaded an 8,000 person Joseon laborer force onto a ship called the Ukisima to take them to the Busan Port. However, the ship sunk into the water due to an unknown blast. This is the story of thousands of Joseon people who dreamed of returning to their families and how they died.

족벌: 두 신문 이야기

The 100 years of history of the Chosun Ilbo and the Dong-A Ilbo show that wrong press can be a social weapon.

Shusenjo: The Main Battleground of the Comfort Women Issue

A Japanese-American director digs deep into the controversial 'comfort women' issue to settle the debate on whether the women were paid prostitutes or sex slaves, and reveals the motivations and intentions of the main actors pushing to revise history in Japan.

북간도의 십자가

The Christians of North Gando lose their country and leave their hometown, but gain the Gospel. The cross they hold in their hands is the symbol of daring for independence and a royal summon of the generation they have to endure. Historian Sim Yo Han retraces the footsteps of the late Father Moon Dong Hwan and finds meanings of the anti-Japanese independence movement hidden in various parts of North Gando.

보드랍게

KIM Soonak is a survivor of sex slavery by the Japanese military. The war may have ended, but her life was still at a war. She lived in the prostitute quarters to survive, did sex business in the US military camp town, and peddled goods from the US military. She raised two kids on her own as she worked as a maid. We’ll listen to her story in her absence. The film reconstructs the life story of the deceased KIM Soonak with interviews with activists, archive videos, animation, and read-aloud testimony.

1919 유관순

A film that explores the lives of female independence activists who fought against the Japanese Occupation in the North and South of Korea.

조선인 여공의 노래

During the Japanese colonial period, 22 Korean female workers were forced to work in a spinning mill in Osaka across the sea to support their families. Despite facing discrimination and violence, their testimonies and life-affirming songs of victory have endured.

김복동

In 1992, KIM Bok-dong, reported herself as a victim of the sexual slavery, "comfort women" during World War Ⅱ. She wanted to receive the proper apology from the Japan government but they denied its responsibility. In 2011, commemorating the 1000th Wednesday demonstration, Statue of Peace was installed in front of the Embassy of Japan. The fight over Japan confronts a new stage.

동아시아반일무장전선

沈黙－立ち上がる慰安婦

The Silence narrates the struggle of fifteen "comfort women"—former sex slaves by the Imperial Japanese Army during WWII—for recognition and reparation. The "comfort women" issue has previously been treated almost exclusively within the framework of Korean nationalism. The Silence will provide insight into the ways in which nationalism and the emergence of post-war Asian nation-states have hindered the understanding of "comfort women" narratives through Zainichi Korean documentary filmmaker Soo-nam Park's point of view.

백년전쟁 1부: 두 얼굴의 이승만

우리를 갈라놓는 것들

Things That Do Us Part is a documentary that reframes the stories of three women fighters who dove into a tragic war in modern Korean history, using witness statements and reenactments.

나는 군산에서 태어나 7년, 그리고 일본으로 송환되고...

A bamboo forest becomes a city with bustling streets that then smoothly transform into photographs: never really in focus, ever more fragmentary and blurred. Born in Gunsan and after seven years, I was repatriated to Japan… begins as a formidable exercise in fūkei-ron, only to turn into a meditation on what remains of the past, with worlds, eras and personal views colliding.

그리고 싶은 것

Annyeong, Sayonara

This joint Korean-Japanese production follows a Korean woman, Lee Ha-jong, as she searches for her father's remains. He - like tens of thousands of other Koreans - was forced into the Japanese military, and subsequently killed during WW2. She is joined by a Japanese man, seeking reconciliation between his country's military past, and the countries victimized by that history. The filmmakers portray both sides of a still highly emotional debate that centers around the enshrinement of soldiers at the Yasukuni Shrine, and Lee's lawsuit to prevent her father from being enshrined there. As Lee visits Japan and the controversial Yasukuni Shrine, she confronts - and is confronted by a wall of nationalistic pride that might be compared to neo-Nazis defending the righteousness of The Reich. This is contrasted with her meeting and working with Japanese peace activists, who deplore their countries' militaristic past, and seek to heal the wounds with her neighbors.

하얼빈

In 1909, several years after Korea is forced into becoming a Japanese colony, freedom fighters plot the daring assassination of Japan's prime minister during their quest for independence.

족보

During the Japanese occupation of South Korea, a Japanese bureaucrat is ordered to persuade an influential Korean patriarch into obeying the law of changing his Korean surname to a Japanese one.

눈길

Jong-bun, in her eighties, is one of the last surviving 'Comfort Women' victims forced into sexual slavery by the Japanese Army during World War II. Back in 1944, at the end of the Japanese occupation in Korea, Jong-bun was a poor but energetic girl while Young-ae was the smart rich clerk's daughter. One day, Jong-bun gets abducted and finds herself on a train for Manchuria. To her surprise, she also finds Young-ae on the train facing the same fate to become a comfort woman. Jong-bun and Young-ae help each other go through the living hell and as the war comes to an end, they finally escape from the comfort women camp, only to face two different paths of life. Decades later, Jong-bun helps out a teenaged girl who is disoriented in life, reminded of her own painful past.

군함도

During the Japanese colonial era, roughly 400 Korean people, who were forced onto Battleship Island 'Hashima Island' to mine for coal, attempt to escape.

라듸오 데이즈

In April 1933, Korea’s Japanese occupiers launched the country’s first radio station, JODK. It broadcasts propaganda so as to better brainwash the Korean people into becoming loyal Japanese citizens. In need of a Korean producer for a radio drama about the greatness of Japan’s Asian Empire, they appoint Lloyd Park, a young man who has only joined the radio station through his father’s connections.